Leading the way to the past

Sensing the conservative zeitgeist that is creeping through America, South Dakota is taking the initiative to lead women’s health back into the deprivation of decades past.  South Dakota began its crusade early: in 1998, the state declared that a pharmacist may refuse to dispense emergency contraception to a woman, even if she carries a prescription for it: “No pharmacist may be required to dispense medication if there is reason to believe that the medication would be used to (1) cause an abortion; or (2) destroy an unborn child.”  Unsurprisingly, South Dakota has already banned all medical treatments related to or drawn from human cloning, in addition to banning human embryonic stem cell research.  

On March 6, 2006, South Dakota governor Mike Rounds signed a document banning almost all abortions in the state, making no exception for pregnancies that are results of incest or rape. The new law will be mired in the court systems and will be unlikely to take effect unless it is upheld by the Supreme Court. Justices John Roberts and Samuel Alito, both conservative Justices and Bush appointees, have the potential to swing the Supreme Court into conservatism and to overturn Roe v. Wade, which legalized abortion in 1973. The law is slated to be put into action on July 1st and carries a five-year prison sentence for any doctor who performs an illegal abortion.

Other states are following suit. Alan Nunnelee, a Mississippi state senator, declared, “Roe is the worst kind of law…I believe we can do better.”  He is moving to ban abortion in the state.  

Mimi Hanaoka

      

 

Left without God

There’s a continuous argument in Left Blogistan about whether the Democrats should take up more religious rhetoric.  The idea is that this will make a political appeal to the white voters who have abandoned the party over the years.  Basically, this comes in three flavors.

Some say that it is a matter of saying God more, explaining political positions in terms of “values” and religious beliefs.  Voters will recognize that mainline (read moderate) Christianity is just as valid as conservative evangelicalism.  This was a widespread instant response to John Kerry losing to George W. Bush.

Others say that it should be sufficient for the left to more modestly point out that their political values are more in line with the teachings of Jesus (and other religions).  In other words, lefties are better at caring for the meek and the powerless.  The New Testament as a whole is clearly about this approach rather than a fire and brimstone moralism.

I would like to believe that one of these tactics would work.  We all admire the Catholic social worker, the Reform Jewish ACLU lawyer, and the Presbyterian activist for gay rights.  But they are not the face of activist religion in America today.

So, I have to agree with those who say that there is no point in really getting into this argument.  The people that are voting on religious grounds are not going to be swayed by a few more mentions of God and morals.  They are really supporting a conservative social order with its attendant opposition to gay rights, feminism, and the like.

Conservative Christian polemicist Thomas Reeves has it right here.  As a larger social trend, liberal religion is a first step towards no religion.  That is why these churches keep getting smaller while more moralistic brands are increasing in size and influence.

There’s no reason to attack the religious.  That would be both wrong and stupid.  But to believe that the left can co-opt this religious fervor is plain wrong.  For many years it seemed that modernity would lead to more liberal and less religious societies, and the American left imagined that Western Europe was our future.  Nobody can say whether that will still be true in the long run, but the engagement of religion in politics today is a reaction against liberalism.  It should be recognized for what it is.

Pete DeWan

 

The Urban Iditarod: A tribute to the last great race on Earth

On Saturday, March 4, 2006, the Bay Area community took part in the twelfth annual Urban Iditarod. The event is a lampoon celebration of the annual Alaskan iditarod, which also began on this day, where huskies and sleds are replaced by canine getups and shopping carts. Approximately twenty-five teams entered in to compete in an expedition across the San Francisco streets.

Nearly 1,000 people assembled in the Minna Street Alley some time after 10 a.m. Teams began rallying their spirits around shopping carts filled with beer, rum, vodka, and radios. Contingents distinguished themselves with creative canine identities. Other squads included the Brown Hornets, Jamaican Bobsled Team, and ESPN 8 Yocho. Shopping carts were led by a musher and powered by four pack animals. Racers utilized this vital preparation time to socialize and liquify their courage because, according to Ben Stein, a member of the Dog the Bounty Hunter Team, “There’s no ice in paradise.”

The event attracted a diverse crowd of international proportions. John Maris, a member of Dr. Hwang’s Korean National Dog Cloning Team, disembarked from Auckland, New Zealand to partake in the race. Other athletes came in from various parts of California from Sacramento to San Diego.

Hype and excitement brewed until high noon, when the Alpha Dog unleashed the teams onto Market Street’s jagged asphalt terrain. Competitors traversed perilous high-traffic intersections packed with confused shoppers and impatient drivers. Sidewalk bystanders cheered as the mob of turbulent challengers hurdled over trolley tracks and insidious potholes.

Through the eyes of the press however, the event was similar to the running of the Bulls in Pamplona.
        
After pausing in a back alley to recoup, the horde barreled through the China Town Gate heading north, howling along Grant Avenue until they reached Washington Square Park.
        
The course extended onto Powel Street in the North Beach area. Racers crossed the finish line at Fishermen’s Wharf, where all were treated to the open courtyard at Jack’s Cannery bar for parlay and praise. Amidst upscale floral arrangements in the quaint cafes along the perimeter, associates of the Iditarod raged until the spirits had been exercised.

Andrew Hodgdon

 

Dregs of Dead Men

Books are no better than talking. In talking there is something precious: the intention. Intention tunes to something, but what it tunes to cannot be passed down through words. Yet, because they treasure words, people transmit books. Let them treasure it! For me there is nothing worth treasuring there. What they value in words is not what they are precious for.

Duke Huan was reading a book in the hall. Wheelwright P’ien was carving a wheel nearby. Putting down his chisel, the wheelwright went up to the duke: “May I ask what words my lord is reading?”

“The words of a wise man.”

“Is the wise man alive?”

“He is dead.”

“Then my lord is only reading the dregs of a dead man.”

“How do you, a wheelwright, dare to pass judgments when your master is reading? If you can justify yourself, good for you; if not, you die!”

“I look at it from the point of view of my own work. When I pound the chisel too softly, it does not hold on to the wood; when I pound too hard, it does not incise. Not too soft, not too hard—my hands find the way, and the mind follows through, but the mouth cannot explain it. There is a measure in it I cannot relate to my son, and my son cannot learn from me. I have been doing this for seventy years, growing old carving wheels. The men of the past are dead, along with what they could not pass down. Thus all my lord is reading are the dregs of dead men.”

The point of the net is the fish. When you get the fish, you can forget the net.

The point of the snare is the hare. When you get the hare, you can forget the snare.

The point of the words is the intention. When you get the intention, you can forget the words.

Where do I find a man who has forgotten words, so that I can have a word with him?

translated from the Chinese by Motýlí Voko

About the piece: Anecdotes like this one circulated through China’s central states for centuries, attributed to the semifictional character Chuang Chou. Linked by a playful poetic language, they poked fun at conventional wisdom. They were later collated into the definitive book of Master Chuang by the Taoist scholar Kuo Hsiang (who died in the forty-seventh year of the Western Chin, i.e., 312 AD).

Jan Vihan is a contributing writer for In The Fray.

 

For they know not what they do

The body of Tom Fox, one of the four peace activists kidnapped in Iraq last November, …

The body of Tom Fox, one of the four peace activists kidnapped in Iraq last November, was discovered Thursday. The 54-year-old father of two, a member of the Chicago-based Christian Peacemaker Teams, had been tortured with electric cables before being shot in the head.

Fox, a Quaker, was a dedicated activist who spent the last two years of his life in Iraq, working with Iraqi human rights groups to foster peace and seeking a richer understanding of Islamic culture. As a peacemaker he found his inspiration in Jesus and Gandhi, who taught him to stand firmly, nonviolently, against evil. Writing to his fellow activists in October, Fox asked them to remember the Mahatma’s words: “A person who has known God will be incapable of harboring anger or fear within him, no matter how overpowering the cause for that anger or fear may be.”

The day before his abduction, Fox shared another short reflection titled “Why are we here?” Here is an excerpt:

I have read that the word in the Greek Bible that is translated as “love” is the word “agape.” Again, I have read that this word is best expressed as a profound respect for all human beings simply for the fact that they are all God’s children. I would state that idea in a somewhat different way, as “never thinking or doing anything that would dehumanize one of my fellow human beings.”

As I survey the landscape here in Iraq, dehumanization seems to be the operative means of relating to each other. U.S. forces in their quest to hunt down and kill “terrorists” are, as a result of this dehumanizing word, not only killing “terrorists,” but also killing innocent Iraqis: men, women and children in the various towns and villages.

It seems as if the first step down the road to violence is taken when I dehumanize a person. That violence might stay within my thoughts or find its way into the outer world and become expressed verbally, psychologically, structurally or physically. As soon as I rob a fellow human being of his or her humanity by sticking a dehumanizing label on them, I begin the process that can have, as an end result, torture, injury and death.

“Why are we here?” We are here to root out all aspects of dehumanization that exist within us. We are here to stand with those being dehumanized by oppressors and stand firm against that dehumanization. We are here to stop people, including ourselves, from dehumanizing any of God’s children, no matter how much they dehumanize their own souls.

His hopeful words then sting us now with a painful irony. This is all the more true of the “statement of conviction” that Fox and his fellow sojourners signed last March, in which they acknowledged the dangers of their work in Iraq — and yet insisted its importance outweighed the risks. “We hope that in loving both friends and enemies and by intervening non-violently to aid those who are systematically oppressed, we can contribute in some small way to transforming this volatile situation,” the statement read.

Even if the love they showed to their enemies was not enough, there could be no hatred in their hearts, the statement went on to say. In the event of hostage-taking, “We will try to understand the motives for these actions, and to articulate them, while maintaining a firm stance that such actions are wrong…. [We] reject violence to punish anyone who harms us…. We forgive those who consider us their enemies.”

We will never know for certain what thoughts went through Tom Fox’s head in the moments before his death. But if the words and deeds he offered over the course of his life are any indication, he faced his murderers without fear, or anger.

Acknowledging the humanity that they had forsaken.

Forgiving them, for they knew not what they did.

Victor Tan Chen

Victor Tan Chen is In The Fray's editor in chief and the author of Cut Loose: Jobless and Hopeless in an Unfair Economy. Site: victortanchen.com | Facebook | Twitter: @victortanchen

 

The Great Oscar Quiz answers revealed

The 78th Academy Awards have come and gone and, as a show, it was okay but nothing to remember past March except that Crash derailed Brokeback Mountain to take the top prize.  Speaking of prizes, give a big round of applause to Kacie Seaman, winner of the Great Oscar Quiz and who only got two wrong answers out of the 15 regular questions.  If we could, we’d allow her to give an acceptance speech behind annoying music and then cut her off before she had time to thank her mother or agent or lawyer or dogsitter.

Anyway, here are the answers for all of those who were afraid, very afraid of trying to participate in the quiz.  Maybe next time you’ll give it a go and know that all the answers are somewhere on the Web.  You just have to dig.

The 2005 Great Oscar Quiz answers

1. What 2005 nominated actor appeared in a 1991 film that also featured an actor nominated in the same category?
ANSWER: In City Slickers, Jake Gyllenhaal played Billy Crystal’s son, and one-arm push-upper Jack Palance won Best Supporting Actor, playing a cowboy named Curly who was far from being gay though he liked redheads.  Carrot Top can be relieved both character and actor have passed on to the great movie range in the sky.

2. Which 1960 winner was Debbie Reynolds referring to when she said, “Hell, I even voted for her”?
ANSWER: Elizabeth Taylor, who won Best Actress for Butterfield 8 and who stole Reynolds’ ex-husband Eddie Fisher away from her.  Taylor would then leave Fisher for Richard Burton.

3. One of this year’s Best Picture nominees was filmed in black and white.  What was the last black and white film to win Best Picture?
ANSWER: Schindler’s List in 1993, winning a total of seven awards. The film did contain a little color — the girl in the red jacket, the ending march by Schindler’s grave —  but generally was considered a black & white film.  You have to go back to 1960 and Billy Wilder’s The Apartment for a film entirely in black & white.  Both answers would have been acceptable.

4. What star of NBC’s The West Wing performed a rendition of Proud Mary with Snow White (Eileen Bowman) on an Oscar telecast that came to epitomize the over-produced musical numbers that since have been curtailed, and what was the date on which the telecast took place?
ANSWER: Rob Lowe, March 29, 1989.

5. What 1975 winner was escorted to the ceremony by twin sons he or she had not seen since 1968?
ANSWER: Milos Forman, Best Director for One Flew Over The Cuckoo’s Nest.

6. What was the original category title for what is now Best Picture, used for the first three ceremonies beginning in 1927?
ANSWER: Production.  It was changed so members wouldn’t vote solely on size or logistics.

7. Walt Disney has the record for most nominations ever at 59, but what living individual (Oscar night categories only) has the most career nominations on his/her resume (45 and counting), including this year’s nominations?
ANSWER: Musical Score composer, John Williams, who failed to add another statuette this year, but I’m sure he’ll be back.

8. What presenter revealed to Joan Rivers on the red carpet before the 1994 awards that “I just got over excited in the car.”
ANSWER: Hugh Grant, escorted by his then girlfriend Elizabeth Hurley.

9. What 1946 Best Picture loser but now classic film was praised by a New York Daily News editorial saying, “It momentarily restored this reporter’s faith in human nature — quite some achievement after you’ve spent sometime in the newspaper game.”?
ANSWER: Frank Capra’s It’s A Wonderful Life, starring James Stewart and Donna Reed.

10. What was the only television film to be adapted to the big screen and win Best Picture?
ANSWER: Marty, 1955.

11. Who is the only Oscar to win an Oscar?
ANSWER: Oscar Hammerstein II for Best Song, 1941 and 1945.

12. What film holds the record for the most nominations without a single loss?
ANSWER: Lord of the Rings: The Return of the King, 2003 at 11.

13. Who was the first Best Actor nominee to be nominated for portraying another Best Actor nominee?
ANSWER: Robert Downey Jr., nominated for Chaplin, playing Charlie Chaplin.

14. Who are the only twins to win Oscars together and for what film?
ANSWER: Julius and Philip Epstein, winning Best Screenplay for Casablanca.

15. Which 2005 double-nominated individual began his/her career on the TV sitcom One Day at a Time?
ANSWER: Paul Haggis, nominated for Director and Screenwriter for Crash.  He won for Best Original Screenplay and shared the Best Picture Oscar as a producer for Crash as well.

Tie-Breaker Questions

What Oscar-winning actor, presenting at the 1994 awards ceremony, was brought to the stage by the announcer saying he is, “Unique. Original.  His nationality is Actor.”?
ANSWER: Jack Nicholson.

Who will win Best Live Action Short Film?
a) Ausreisser (The Runaway)  
b) Cashback  
c) The Last Farm  
d) Our Time Is Up  
e) Six Shooter
ANSWER: Six Shooter

Rich Burlingham

 

Facing Feminism: Feminists I Know

Are you sick of being told what it is that matters to you as a feminist? Do you feel moved to express your feminism and connect in a powerful way with feminists from around the world? Want to speak up and be heard?

FACING FEMINISM: FEMINISTS I KNOW is a project in which, through portrait art and words, the many different faces of feminism are visually demonstrated. The project is designed to make a statement in contradiction to the stereotype, the one-dimensional portrayal, of  feminists, that is dominant in the media. In addition to putting a more varied and representative “face” to feminism, and thus being a tool for education and advocacy, this project aims to enlarge the current dialogue about what it means to be a feminist and also to help feminists conceptualize a philosophy of feminism that works for them. It will help to de-demonize the concept of feminism.

Some feminists love wearing heels and perfume. Some don’t. Some have alternative lifestyles while some are stay-at-home mothers. Concomitant with the many things that distinguish feminists individually, there are the things that unite them: their strength and intelligence and their belief that they are entitled to equal opportunity in all spheres of life.

The project is hosted through the MNARTISTS.ORG website, distributed through the media via the magazine EMPOWERMENT4WOMEN, and curated by Annette Marie Hyder. For this series, each feminist is invited to submit a photo of her choosing and a text forum to express her feminism. Each statement is individual to each feminist, and so it shows how individual feminists interpret the freedoms that they want within their common bond.

Happy International Women’s Day!

The photoems can be viewed at EMPOWERMENT4WOMEN.ORG and at the MNARTISTS website.

Annette Marie Hyder

 

Depends on the meaning of is

You have to admire Attorney General Alberto Gonzalez.  His ability to make false statements without technically lying must make Bill Clinton green with envy.  Glenn Greenwald has the rundown on the NSA testimony.

Today, Gonzalez  says that that “We are aware of no other nation in history that has afforded such protection for enemy combatants.”  Now you might scratch your head at this one.  Haven’t other countries followed the Geneva Conventions?  Could it really be true that America is setting a newly humane standard for treatment of prisoners?

Well, no.  It depends on what the meaning of enemy combatant is.  The administration defined it in court filings as:

An individual who was part of or supporting the Taliban or al Qaeda forces, or associated forces that are engaged in hostilities against the United States or its coalition partners. This includes any person who committed a belligerent act or has directly supported hostilities in aid of enemy armed forces.

We could have some fun with this.

For instance, I am aware of no other group of enemy combatants of such deeply virtuous character, with so glamorous a sense of style, so attractive in mind and body, and so dedicated to working for good in the world.

If only the U.S. is using this term and it applies only to this conflict, it’s all perfectly true.

Pete DeWan

 

The changing tide

South Dakota Governor Mike Rounds yesterday signed a document banning almost all abortions in the state, making no exception for pregnancies that are results of incest or rape. Although the measure will be an extremely restrictive one — permitting abortion only if the mother’s life is in danger — the new law will be mired in the court systems and will be unlikely to take effect unless it is upheld by the Supreme Court. Justices John Roberts and Samuel Alito, both conservative Justices and Bush appointees, have the potential to swing the Supreme Court into conservatism and to overturn Roe v. Wade, which legalized abortion in 1973. The law is, however, slated to be put into action on July 1st and carries a five-year prison sentence for any doctor who performs an illegal abortion.

For now, the 800 or so women who annually have abortions in South Dakota will be subject to the current law, itself stringent, which puts increasingly severe restrictions on abortions throughout the course of pregnancy. Abortions after the 24th week may currently only be performed to protect the mother’s health and safety.

Mimi&; Hanaoka

 

Where illusions end

issue banner

Between the Academy Awards and March Madness, the month is full of illusions and forsaken dreams. But even when the sun sets on some aspirations, we see glimmers of hope for the years ahead.

In this issue of InTheFray, we explore what it means to come to grips with and bid adieu to forsaken dreams. We begin with Courtney Traub’s poignant look at the ways France is confronting its colonial past, for better or worse, nearly a half-century after the fall of empire, in Grappling with ghosts.

Out of America and in Guatemala, Lucian Tion seeks to escape the daily grind of American life, only to find himself surrounded by dozens of other tourists also seeking “a place to relax and unwind” that looks remarkably familiar.

Meanwhile, in India Meera Subramanian observes her cousin’s marriage to a woman he scarcely knows and offers insight on her ancestors’ ritual of family-planned matches in Arrange me, arrange me not.

Back in the United States, Judith Malveaux discovers The party’s over when she returns to her native New Orleans a few months after Hurricane Katrina. There, in the place she once called home, Malveaux discovers the optimism she maintained about her city from afar has vanished.

And in A state of (dis)integration ITF Contributing Editor Michelle Caswell reviews Jonathan Kozol’s latest book, The Shame of the Nation: The Restoration of Apartheid Schooling in America, and discovers just how illusive Brown v. Board of Education’s promise of equal education has become.

On a lighter note, in Moundridge, Kansas, Katy June-Friesen shows us the magic of Old Settlers Inn, where people from across the state go to share their stories and listen to brilliant Songs from a Kansas stage.

Rounding out this month’s stories is Margo Herster’s stunning visual exploration of the way intimacy with one’s partner hinders and aids one’s sense of self in Colors of love. Offering further insight into Herster’s project, Patty Swyden Sullivan reviews The art of photographing the young and in love.

If you haven’t already done so, be sure to tell us about the activist in your life that you’d like to see ITF interview for our soon-to-be-launched Activist’s Corner. Email activists-at-inthefray-dot-org with the person’s name, a couple sentences about the person and why you think s/he’d be such an interesting interview subject, and, if possible, the person’s contact details.

Thanks for your help, and thanks for reading!

Laura Nathan
Editor
Buffalo, New York

 

The colors of love

Artifacts from an Italian couple’s romance form the building blocks of a new story.

On our first date I was 15 and he was 17. We were high school sweethearts and, after 11 years, we married. During our teens and 20s, when most of our friends were experimenting with casual romances, we seemed too intertwined, too interdependent, and too stable. Instead of moving from person to person, we moved from place to place to find our own way to experiment with the world. We moved from our college campus to his law school town in Indiana; Chicago; Florence, Italy; back to Chicago; and then to Brooklyn.

It was in Italy, in 2002, that I conceived this project from a series of black and white photographs taken of my husband shortly after we moved there. We rented a furnished apartment on Via dei Pepi from a couple who were strangers to us. They left their personal items, including their photographs, diaries, love letters, music, dried red roses, mismatched dishes, a Kama Sutra book, and the bed they shared. Through their suggestion of daily rituals and interaction, the objects left in the apartment invited me to imagine the private interiors of the couple’s relationship. By sifting through the possessions of these strangers a story of intimacy unfolded, except this story was not made on a Hollywood set but had taken place in my own home.

Influenced by the images of my relationship on the backdrop of the artifacts left behind by the Italian couple’s romance, my photographic project evolved into an exploration of the architecture of love. I used my apartment as a set, painting walls, arranging spaces, and directing my husband as the main character of an everyday love story. The plot of this story was based on the “couples dance,” which is a term psychologists use to describe couples’ negotiations seeking closeness until it becomes smothering and eliciting distance until it feels too far. Rather than documenting our life as it happened, I referenced memories, observations of other real couples and impressions learned from media-based relationship prototypes. By sourcing these external representations, I aimed to merge our specific reality with an archetypal fictional shell painted in vibrant color.

Upon viewing the photographs I made, I realized in addition to creating a story about the couples dance, the photographic process was part of my couples dance. In my own relationship closeness was always easy but seeing our independence was sometimes a challenge. Becoming so close at such a young age — we grew up together — our influence on each other was immense, resulting in heightened confusion for me about where my individual identity ended and his began.

Behind the camera, I took control over my husband; I used him as a model. Our photographing sessions created a scenario in which I reserved power to project my own ideas onto him — to make him whatever I wanted him to be. In the pictures, I barely recognize his persona; the exertion of my control diminished his individuality. Viewing his image transformed and suspended in the photographs fostered a distance, an alternate perspective from which to understand him and his relation to me. I identified with the cycle of closeness and distance portrayed in the images, as he retreats and comes forward, and saw the parallel to our real life. In contrasting the image of him I created on film to his real life character, the interplay between our detached and connected identities resonated. I saw that while I could influence him (as I did posing him for the pictures) and he could influence me, that committing to a relationship does not encroach the ability to act as self-determined individuals making choices to dominate, recede, and compromise.

All images were made in Brooklyn, New York using a medium format camera.

Click here to enter the photo essay.

A REVIEW: The art of photographing the young and in love

personal stories. global issues.