All posts by Laura Nathan-Garner

 

Who’s that lady?

Do you know a woman who is super exceptional? Perhaps a brilliant go-getter? A devout do-gooder? Or even just an all-around great gal?

Glamour wants to know about her. Between now and August 19, the magazine is accepting nominations for everyday women — community leaders, friends, colleagues, teachers, even editors — who inspire you. To learn more about Glamour‘s search for the Woman Of Your Year, click here. Or, if you just can’t wait to nominate a certain someone, by all means, go for it.

 

Tit for tat

In the United States, sports enthusiasts have long touted the adage, “Winning isn’t everything; it’s the only thing.” But while that saying has guided many of us in competition — be it in the stock market, on the battlefield, or at the sports stadium —winning, though tantalizing, is rarely that simple. What about the losers? How are they affected? Can a winner go too far in the quest to achieve success? And can victors end up worse off than they were before tasting success?

In this issue of InTheFray, we examine these questions in a variety of international contexts. We begin in Uganda, where Anna Sussman and Jonathan Jones examine The difficulties of ending a war. As the duo of journalists discover, ending Uganda’s long-running war requires resolving another conflict — that over the International Criminal Court, which many Ugandans regard as a threat to negotiations, while others see it as the ticket to peace and justice.

And back home from a visit to Malaysia, Mindy McAdams is Missing the mango, or the rich diversity of cultures, foods, and religions that have shaped the 50-year-old nation. But, McAdams worries, this successful mixture is threatened by a trend toward cultural separatism.

Meanwhile, Jennifer Fishbein reviews Dave Eggers’ What Is the What, the retelling of Valentino Achak Deng’s struggle to come of age in the midst of Sudan’s civil wars. In Eggers’ account, Deng has been victimized in his adopted country — the United States — as badly, perhaps even worse than, he was in Sudan. Here, he is invisible, negligible, leaving readers desperate “to rekindle belief in humanity,” as Fishbein eloquently puts it.

Rounding out this month’s pieces is an eclectic collection of poems by Gaia Holmes about Summer heat, moths in the moonlight … and the mysteries of love, life, and longing.

Happy reading!

Laura Nathan
Editor
Buffalo, New York

 

Big business

My dog is overweight, the vet tells me. I need to put him on a diet. I alternate between feeling guilty and asking myself how this happened. I know the answer, of course: I cannot say no. More treats equal a happier dog. Who wouldn’t want that?

As the contributors to this big fat issue of InTheFray reveal, my dog and I are not alone in our struggle to cut the flab. This month we get the skinny on our culture’s problems with fat, in its many manifestations. We begin with Eric Chang’s look at how our big fat stupid genes — The invisible enemy — influence body type and hinder us from willing to be skinnier. Sometimes, extra weight comes from pregnancy, which leaves some people asking, “Is pregnant fat?” as Karen Walasek’s visual essay does.

Of course, as Sarah M. Seltzer points out in Knocking the weight, sometimes neither genes not willpower nor reproduction determine the shape our bodies take — or other people’s perceptions of our physiques. Other times, as Katherine Roff suggests in her review of Wally Lamb’s novel She’s Come Undone, shouldering The weight of the world can make eating seem like our only means of survival. But often, as Pris Campbell suggests in her poem Runway, few things are as seductive as the possibility of emaciation.

Our bodies aren’t the only things many of us wish were skinnier. Summer Batte dreams of slimming down her home but finds her love of “stuff” keeps getting in the way. And, in Cutting down to size, David A. Zimmerman struggles with the allure of being larger than life and the egotistical behaviors it manifests.

Rounding out this month’s stories is Lights, camera, action, ITF Board member Randy Klein’s profile of the Global Action Project, a youth media and leadership organization for New York City teens.

Thanks for reading. We hope you enjoy devouring this month’s issue as much as we indulged in putting it together!

Laura Nathan
Editor

 

History lessons

Years ago, former German chancellor Konrad Adenauer described history as “the sum total of the things that could have been avoided.” But must history always be something we regret, something we’d rather bury and forget?

Not necessarily, suggests writer Pearl Buck, who explained, “If you want to understand today, you have to search yesterday.” In this issue of InTheFray, we attempt to do just that. Matthew Fishbane begins by exploring The culture of being, when a transnational adoptee returns to her native Colombia in search of clues to her identity, only to discover that reconciling her two selves — American and Colombian — is both harder and easier than she’d imagined.

Meanwhile, poet Rae Peter looks at the joys and limitations of one’s female heritage in Shapes that brush against you in the dark. And ITF Books Editor Nikki Bazar uncovers Something borrowed, something new in Jonathan Lethem’s novel You Don’t Love Me Yet, the novelist’s newest venture in cultural borrowing.

We then journey to Cuba, where Lita Wong learns to trust the locals during a walk to San Diego de los Banos Alone in the forest. And halfway around the world, Aditi Bhaduri chats with Raphael Cohen-Almagor, organizer of the “Gaza First” campaign, about living in A society under constant stress and the prospects for a resolution to the Israeli-Palestinian conflict.

Speaking of conflict, former ITF Commentary Editor Zachariah Mampilly recounts the first 20th century genocide — it is probably not the one you’re thinking of — and discovers how difficult The labeling of genocide can be when it comes to Western interests and that hazy line between “violent conflict” and so-called ethnic cleansing.

Thanks for partaking in this history lesson with us!

Coming next month: ITF gives up the skinny on the 21st century’s obsession with FAT.

Laura Nathan
Editor
Buffalo, New York

 

Wandering

With the sun out and the flowers in bloom, our eyes often seem to be wide open. But spring is the season for letting our minds wander.

In this issue of InTheFray, we take a look at some of the places to which our wits venture. We begin with our trip to A desert of dreams, where ITF Contributing Writer Penny Newbury learns about the Burning Man festival and the ups and downs of an anarchist tradition in her review of Brian Doherty’s This is Burning Man. We then turn to Happy little poem, Miles J. Bell’s take on a factory worker’s longing for “a long lie down.”

Finally, if you haven’t done so lately, we invite you to check out our blogs, which are now in full bloom.

Thanks for reading!

Laura Nathan
Editor
InTheFray

 

Sontag’s last stand

If you haven't already done so, get your hands on a copy of Susan Sontag's At the Same Time. To read this book — the collection of nonfiction pieces Sontag was working on at the end of her life — is to realize what a bold mind and voice we have lost. But this collection, though less groundbreaking than its predecessors — Against Interpretation, Illness As Metaphor, On Photography, also reassures us that Sontag’s writing, her wit, grace, and resolve, will continue to influence serious readers, curious minds, and the politically concerned for generations to come. Each essay published in its unedited form, these pieces, right down to the collection’s structure, were shaped by Sontag’s hands alone.

Its unsentimental foreword penned by Sontag’s son David Rieff, At the Same Time illuminates the late writer’s many passions: literature, translation, beauty and aesthetics, politics, free speech, and, of course, photography. Featuring forewords Sontag wrote for translated works like Leonid Tsypkin’s Summer in Baden-Baden and Anna Banti’s Artemisia, the collection’s first third gives us an intimate portrait of Sontag the reader. Written in a way that reads like curling up with a glass of wine and talking to a good friend, the forewords all but ensure that we readers will becomes fans of the authors Sontag celebrates.

With its focus on September 11, the second third of the collection initially feels pedestrian. But read alongside Sontag’s reflections on September 11, 2002, and Abu Ghraib, these essays reveal the power of candor when it was eschewed, courage when it was confused with consent. Considering how quickly Sontag said what few other Americans dared to mutter, they remind us how Sontag has changed our understandings of this post-9/11 world.

It seems fitting that the collection’s back cover includes a picture of a note that says, “Do something. Do something. Do something," for the collection’s concluding pages relay this urgency through Sontag's final public speeches. Illuminating the ethical importance of translating foreign works, of writing and truth telling, of resistance, they are a lasting reminder of the inseparability of politics and literature, one that confirms Sontag’s belief that “in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.”

 

Flashbacks

Moving on. We all do at some point, often reluctantly. In this issue of InTheFray, we offer four perspectives on the timelessness of age, four flashbacks of a world that was and insights on the world that is.

ITF Travel Editor Michelle Caswell begins with advice on where not to spend your 30th birthday — unless, of course, you need A bad day in Cambodia to realize that aging isn’t half bad compared to living under the Khmer Rouge’s brutal regime. Speaking of getting older, ITF Contributing Writer Rhian Kohashi O’Rourke discovers that a woman with a head of white hair is not nearly as obsolete as young women fretting over that dreaded First gray hair seem to think.

We then turn to ITF Copy Chief Erin Marie Daly, who finds what has been lost in the world of digital music and, in the process, uncovers relics of the past in one of New York’s newest treasures, The Vintage DJ. And in Guatemala, James Rodriguez captures the pain and closure felt by families who lost relatives in the country’s 36-year internal conflict when they finally receive the deceased’s remains after a two-year wait.

Rounding out this month’s issue, Terry Lowenstein waxes poetic about the past and present while perusing a family photo album, observing fashion trends, and making the daily commute.

Coming next month: ITF’s take on the changing shape of language in the 21st century.

Laura Nathan
Editor
Buffalo, New York

 

Child’s play

Right now I am teaching a seven-day creative writing program at a public elementary school in Buffalo, New York. On the second day I had the students write collaborative stories: One child wrote a fictional story's beginning, another wrote the middle, and a third penned the conclusion. Most of them struggled with this. Exchanging papers was an ordeal, and many were not happy with the stories they were expected to add onto. Girls did not want to write the plot for a story about football; others thought the people with whom they were supposed to trade papers were icky. But some rose to the occasion and collaborated to produce solid stories.

One in particular caught my eye. It was about someone serving in Iraq. Here's what the students wrote:

Once there was a man named John. He was going to Iraq. He was going to fight for our lives. But then he got a little scared because he was thinking of what might happen to him. But then he was feeling sad because he missed his family. Then he went to Iraq, and when he got there, he felt really better. So he got a popsicle, then he said, “I am going to write a letter to my parents.” He got another popsicle, then he went back to war. This time he was not scared, so he got all the stuff he needed. He got the best gun he could. He wanted to see his parents.

Say what you will about the popsicles and the fact that John ceases to be scared when he gets to Iraq, there is some real awareness here about the dangers of war.

 

Relics

With Valentine’s Day looming, February greets us with commercials reminding us to buy timeless gifts — diamonds, anyone? — for our sweeties. But some of the most timeless presents cannot fit into a jewelry box or be gift-wrapped. And though some may have been mined as recently as the diamonds Zales wants to sell you, many come from another era and don’t sport a price tag.

In this issue of InTheFray we explore relics of the past and their value to the present. We begin in Brooklyn and Philadelphia, where Sasha Vasilyuk treats us to some Russian intellectual football, better known as “KVN,” a game show of comedy and music sketches in which Russian immigrants participate to hold onto a fragment of their past. In Detroit, Scott Hocking and Clinton Snider look at the city’s cyclical nature, from wasteland to thriving metropolitan area, to deserted area, to booming urban centre. In RELICS, their art installation, the two ask how long it takes the old to be forgotten. Meanwhile, across the pond, Jacquelin Cangro discovers Giants among us on a visit to Postman’s Park, where everyday people’s achievements are commemorated.

We then offer three different relics of love: ITF Literary Editor Annette Hyder and ITF Contributing Editor Kenji Mizumori’s Mixed Media Valentines to loves come and gone; a quilt that Rachel Van Thyn’s mother put together One piece at a time, using squares spanning three generations; and Jen Karetnick’s musings On vintage handkerchiefs passed down by her grandmother.

Rounding out this month’s stories is ITF Travel Editor Michelle Caswell’s interview with Easily angered activist Tom Hayden, who shares a veteran critic’s insight on the Iraq War, desegregation, political apathy, and making a difference.

Enjoy!

Laura Nathan
Editor
Buffalo, New York

 

Yearning

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With Saddam Hussein’s recent execution, we have been promised that the former dictator’s end spells the dawn of democracy in Iraq. Yet Hussein continues to haunt Iraq, from the Kurds who remain tormented by their inability to convict the dictator of genocide, to the sectarian violence engulfing the country. From the martyrs to the victims to the criminals to ordinary people, the past infiltrates the present, not just in Iraq, but around the world as we embark on 2007.

In this issue of ITF, we inaugurate our new site, InTheFray.ORG, with the publication of more of the high-quality, inspiring, and groundbreaking writing and art you have come to associate with ITF. Here we examine the many ways the past informs the present.

We begin in New York, where Vidya Padmanabhan discovers how cabbies — many homesick for their native India or Pakistan — find belonging and business advice in the city’s Cabbie joints, South Asian restaurants. And in Brooklyn, a former police officer’s granddaughter grows nostalgic for accountability and responsibility as Alexis Clark considers the police brutality responsible for Sean Bell’s death in Lead by example.

Afterwards, we visit Chicago’s north shore, where Beth Rooney captures the colorful lives of African refugees as they attempt to rebuild their war-torn lives on a Strange shore. Halfway across the globe, Melissa Lambert sees a civil war’s toll when she ventures On the edge of Mozambique, where rebuilding remains a complicated process, one that breathes life, however mysteriously, into tourists’ fantasies of beauty and belonging.

Reflecting on the roots of her own ignorance about Africa, OFF THE SHELF Editor Nicole Pezold reviews Charlayne Hunter-Gault’s book New News Out of Africa. As she reveals how many of the continent’s countries are embracing democracy and eliminating poverty and disease, Hunter-Gault offers strategies for the media to highlight the “real” Africa.

Meanwhile, in Amman, Jordan, Best of ITF So Far writer Rhian Kohashi O’Rourke takes A sip of Egyptian Tea as she recounts how an older doorman finds humor and camaraderie in a young, clumsy American woman. Back in the United States, Larry Jaffe, the International Readings Coordinator for the United Nations Dialogue among Civilizations through Poetry program and the Co-Founder of Poets for Peace/United Poets Coalition, reflects on growing up Jewish in Sub Urban America and muses on the intolerance and ignorance that loom today. Speaking of coming of age, Megan Hauser reminisces about the realities of using optical illusions to protect herself in Bad eyewear can mark a child.

Rounding out this month’s stories and launching our newest department — the Activist’s Corner — is Folklore photography, former ITF Travel Editor Anju Mary Paul’s interview with photographer Martha Cooper about documenting urban culture and using the camera to inform, transform, and inspire awareness and change. Each month the Activist’s Corner will feature an interview concerning the challenges faced by contemporary activists and offer ideas for how busy people can improve their communities. This department will also feature links and other resources from grassroots organizations of interest to you, our readers.

Along with the Activist’s Corner and a more aesthetically pleasing site, InTheFray.ORG allows readers to post their own profiles, connect with other members, set up personal blogs, and upload images and video and audio files. In coming months, we plan to launch additional features, including video and audio podcasts.

Now that we’ve launched the new site, we’re looking for testimonials from readers aboutwhat InTheFray means to them. If you can help us, please emaileditors-at-inthefray-dot-org with any words you want to share. Pleasemake sure to include your full name and city.

We hope you enjoy our new home and encourage you to email us at editors-at-inthefray-dot-org with feedback on the new site.

Happy New Year!

Laura Nathan
Editor
Buffalo, New York

P.S. We would like to dedicate this new site to Oya Hadimli, a friend of InTheFray, who passed away in November. Thank you for inspiring us with your vision and passion for a world without borders.

 

Facing Family, Facing Ghosts (Best of In The Fray 2006)

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In the United States and many parts of the world, December is marked by a quest for bigger and better things—gifts, bonuses, food, celebrations, decorations, vacations, even donations. Here at In The Fray we indulge by commemorating our readers’ favorite stories of 2006—all tales of ghosts, family, and image obsession.

We begin by Grappling with Ghosts, but not the kind found in a Dickens novel. These ghosts, writes Courtney Traub, are the stuff of post-colonialism, of a France brought before a mirror to confront its scarred past. Meanwhile, Penny Newbury looks at some of colonialism’s other ghosts, those of East Timor, a former Portuguese and later Indonesian colony. In An Occupation, Newbury takes us to the country’s capitol, Dili, which remains haunted by its 1999 independence referendum.

Back in the United States, the Republican Party may be haunted by Valerie Burgher’s criticism of their crackdown on sins of the flesh at the cost of the Bible’s other six sins. And with the temperature dropping, New Yorkers are sure to be haunted by A Long Walk to Work, ITF Board of Directors member Dustin Ross’s photo essay capturing the toll of last year’s transit strike on a city and its people.

From the ghosts of colonialism, politics, and transit we turn to the ghosts and goblins of family. In her review of Devyani Saltzman’s Shooting Water, former In The Fray travel editor Anju Mary Paul explores how the decisions we make as children haunt our adult relationships—and discovers room for reconciliation.

In Love without Grammar—one of the two winners of the Best of INTERACT—ITF travel editor Michelle Caswell returns to her childhood home, where she finds love in every artifact and garden gnome. And in Arrange Me, Arrange Me Not—readers’ other favorite INTERACT essay—Meera Subramanian travels to India to assess her ancestors’ tradition of choosing their children’s spouses.

Rounding out this year’s favorites are two pieces about surface-level appearances: Kimberlee Soo’s look at how an aspiring Covergirl mimics her older sister, only to discover that her elder’s life isn’t as perfect as it appears; and Secret Asian Man’s insight into How to Make the Chinese New Year Appeal to Americans.

Speaking of seducing people with images, In The Fray will be launching a new, more user-friendly design on January 1. Not only will our new virtual home be more pleasing to your eyes; it will cater to all of you activists and networkers.

Thank you to everyone who took the time to vote for this year’s best stories—and to those who wrote and edited them. We look forward to ringing in the New Year—and our new site—with you.

Laura Nathan
Editor
Buffalo, New York

 

Some like it hot

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Growing up in Texas, I long believed there could never be too much spice — and that everyone shared that belief. But thanks to the northern waiters and waitresses who squint, push their heads forward like geese, and say, “Are you sure you want it extra spicy? It’s going to burn your mouth,” I have learned that testing the limits isn’t always preferable.

In this spice-laden issue of InTheFray, we ask when it’s best to say “when,” and when it’s worth pushing ourselves. We begin with stories about restricting our spice intake: Tran Le Thuy looks at how Iraqis are risking their lives — and concealing their identities — when accepting Fulbright scholarships to study in the United States. Meanwhile, in The spice of life, Rachel Van Thyn watches sugar and spice nearly kill her older sister and learns a valuable lesson about second chances — and eating healthy.

Speaking of second chances, the Amish school shootings give April D. Boland the wake-up call she needs to say that violence against women is no laughing matter in Breaking the silence. And while guest columnist Lyz Baranowski is not offended by Madonna’s use of the crucifix to raise money to combat AIDS in Africa, she sees it for what it is — self-promotion.

Rounding out this month’s stories are three tales of the upside of spice: Poet Jen Karetnick imagines what a food critic might serve up, while Lisa Tae-Ran Schroeder, hoping to discover that which American Chinese restaurants lack, goes Searching for spice on a visit to China’s Sichuan Province.

Finally, in Points of encounter ITF Board member Randy Klein gives us a hint about just how spicy the new ITF site is going to be when we formally launch the Activist’s Corner, our new department,  along with our new design in 2007. He talks with filmmaker Ronit Avni about her documentary Encounter Point and using a video camera to raise awareness about the grassroots efforts of Israelis and Palestinians to forge peace.

We look forward to introducing you to ITF’s new look and feel on January 1. But before we ring in the new year and our new site, we’d like you to vote for your favorite ITF stories of 2006. We will publish them next month in our BEST OF InTheFray 2006 issue. So what are you waiting for? Vote now (and not just for the Best of ITF)!

Laura Nathan
Editor
Buffalo, New York