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The great escape

Do you use something powerful and dangerous, like drugs or firearms? Or do you prefer something a bit more mundane, like television or food? Perhaps you prefer the sweet bliss of a good novel or a fine sonnet, or maybe you’re a runner or a biker. Maybe it’s the pure joy of a melody, or the sublime ecstasy of harmony. Or maybe, for you, it’s simply the sweet freedom of sleep, the ultimate escape.

Whatever your mechanism of choice, the need for escape is essential to the human experience. In fact, during traumatic events such as war or abuse, your brain will dissociate from your body, escaping with your consciousness while the rest of you suffers. It is how our body protects our mind from the most extreme circumstances.

In this month’s issue, we explore the different techniques people employ to escape, and what they wish to escape from. Our journey starts with Matthew Kongo, a Sudanese refugee who is building a new life in Maine. Kyle Boelte tells Kongo’s story in To a home unknown. Next, Alexis Wolff tells us how her work in a treatment center for adolescent girls helped her escape a bit of her own past in Youth behind walls. In A soul with nothing up its sleeves, poet Larry Jaffe escapes his body and shares his venture with us.

America’s meth addiction is a problem that is rooted in the escapism of a large swath of the rural parts of the country. In Matthew Heller’s review of Nick Reding’s book Methland: The Death and Life of an American Small Town, he explores Reding’s chronicle of how one town in Iowa is trying to fight back against the drug. In Nature’s waltz, artist Maureen Shaughnessy shares with us a selection of digital collages. Finally, Rachael Jackson gets off the beaten path in Costa Rica, in her story Hidden Costa Rica.

So, what about you? What do you need to escape from? How do you get away? Tell us your story below, in our comments section.

I am a writer/editor turned web developer. I've served as both Editor-in-chief and Technical Developer of In The Fray Magazine over the past 5 years. I am gainfully employed, writing, editing and developing on the web for a small private college in Duluth, MN. I enjoy both silence and heavy metal, John Milton and Stephen King, sunrise and sunset. Like all of us, I contain multitudes.

 

In extremis: week one

The first time I meet A. she’s in the middle of a handstand push-up against the wall outside her room.  Balanced on her palms, her back and legs straight up, she pushes off without a sound.  A cropped tee falls to her bra line, exposing the bone marimba of her ribs.  Her tangle of auburn hair spills to the floor and she has the translucent skin I associate with redheads; an appealing scatter of freckles dusts her nose.  She looks more like a gangly teen than the twenty-five years I know her to be.  

“Hey,” she calls as I pass by.  She rises on thin sinewy arms without missing a beat.

“Hey yourself.”  I bend and smile at her upside-down face. 

“Could you help me?  I need to shave my legs but someone has to watch me.”     She sniffs toward the clinical desk.  “They’re all too busy.”      

“I’ll see how my morning looks and get back to you in a few minutes.  You must be A.”  It’s difficult to imagine her near death, but when I bend down to greet her I note the black sutures that bite into the separated edges of flesh on her left wrist.  Her self-inflicted wounds are almost healed, but I walk away with a sense of A.’s troubled life. 

“You heard of me?” 

I’ve just spent an hour reading about her past.  

I’ve been in this field a couple of years, on 3 East, a thirty-bed locked psychiatric ward in a hospital in Portland, Oregon.  A.’s presence on the ward is daunting; she’s challenged far more seasoned professionals than I.  Her chart is seven inches thick – the clinical equivalent of hundreds of thousands of frequent flier miles – distilled from dozens of hospitalizations and years of outpatient treatment.  It’s hard to believe the upside-down, in-person A. has burned as many bridges as hospital-chart A.   

Joanie, a newly minted MSW, watches the monitors at the clinical desk; they illuminate all the dark corners and doors on 3 East and hopefully prevent assaults and elopements.  She’s working her way out of the deep hole of college-loan poverty.  We’re a subset of a weekend team that includes six therapists, five nurses, and five psychiatrists who rotate call.  We have each other’s backs in emergencies.   

“Any reason I shouldn’t help A. shower?”

“Yeah,” Joanie says.  Alan’s leading process group.  A. declined his invitation to attend.  When process group is in session, everything else stops.

In report we discussed our strategy for working with A., particularly the need for consistency.  Joanie and I are needed on the floor until Alan’s free.  Several patients are still asleep.  Others start their day's journey, the slow drift upward from strange and frightening dreams.   

I check my watch.  Breakfast has come and gone while I’ve gotten caught up on A.’s history.  I work back-to-back sixteen-hour shifts Saturday and Sunday.  It’s Saturday morning, the start of my workweek.   

Patients are admitted to 3 East in the acute phase of their illness, for assessment, stabilization, and referral.  A. was admitted on Wednesday on a psychiatric hold for patients who are a danger to themselves or others – with a diagnosis of borderline personality disorder.  Because her illness has been well documented over its ten-year course, we know what to expect – up to a point.  Her overly bright greeting, the strenuous exercise, her mood of the moment could swiftly devolve into something dark and irrational.  

She’ll manipulate staff, split us into enemy camps, hate us then love us – go from zero to sixty – in the time it takes her heart to beat twice.  Her landscape is one of emotional extremes.  She’ll rage at those who are supposed to love her, who did love her once, until it got too hard.  She’ll rage at their abandonment.  She’ll rage equally at those who try to hang onto her.  We can expect her to try anything to fill the emptiness that – like an organ not visible on a CT scan but with an anatomical location vaguely near the human heart – comes with her disorder.

Beyond genetics, we recognize people by their personality traits – the quirks and behaviors that distinguish us from each other.  Our personalities form in our earliest years.  Personality disorders – patterns of inflexible and maladaptive behaviors – typically manifest in adolescence, then harden and set; they form in response to triggers like abuse or abandonment – real or perceived – and continue into adulthood if untreated. 

Young women with A.’s diagnosis often act out in the form of suicidal gestures.  These days, BPD comes with websites that cater to self-cutters and teach innovative means of self-destruction.  A. shares creative nihilism the way best friends share clothing and secrets.     

When group ends, I find A.  I turn up the hot water for her shower and bring her a cheap, pink, hospital-issue razor.  She came equipped with a heavy white Turkish towel and her cosmetics kit, stuffed with miniature, free-gift-with-purchase samples of expensive toiletries. 

Delicate white scars road-map her flesh; intricate patterns crisscross her arms, legs, stomach, trails of superficial cuts that dead-end before reaching the generous blood supplies of her arteries and deep veins.  I hand her the disposable razor.

“Not a pretty sight, is it?”

“You look like my grandmother’s lace curtains.”

She giggles.  The bathroom fills with steam, and I can’t see her reflection in the mirror.  I’m uneasy and move closer to watch her stroke the razor easily up her long legs. 

“These razors are the pits.  I never get it all.”

When she arrives for lunch, she’s meticulously made-up and neatly dressed in designer jeans and a bulky Aran-knit sweater, just a pretty young woman sitting down to lunch on a sunny afternoon.  She wolfs down two portions of Salisbury steak and gravy, mashed potatoes with butter and sour cream – all served on paper plates with plastic utensils – and four styrofoam cups of ice cream for dessert.

When I walk past her room fifteen minutes later, I hear her throwing up in her bathroom. 

“Are you okay?” I interrupt the unmistakable gagging noise she makes as she purges her lunch.

Yeah,” she calls.  “I’ll be out in a minute.” 

A stuffed animal rests on her pink pillowcase.  She’s taped photos to the wall above her bed.  One photo in particular catches my eye.  I lean in to study it.  A. stands at the center of a group of people jammed together in tree-dappled sunshine.  They pose for the camera, smile and wave happily to an unseen audience.  A. looks healthy and plump.    

When she emerges from the bathroom her lips are raw.  She smells of toothpaste and has changed into a hospital gown.  She slumps down on her bed and clutches her shabby teddy bear. 

I look from her image to A. in her bed.

“Who are these people?” I ask.  “How old are you here?”  

“Sixteen.  My mother, my brother, my uncle, my cousin, and my best friend.”

I search for clues in the photo.  Nine years.  What the hell happened to her?

“Do I have to act out to get a shot?  I just want to sleep now.”

“I’ll bring you something.”       

I inject a mild sedative.  Now is not the time to discuss coping mechanisms.  She skips dinner and sleeps through the evening.  Sometimes that’s the best you can do for someone.

When I leave the hospital that night through the sliding glass doors of the emergency room, I inhale deeply.  There’s a disconnect between 3 East and the rest of the world.  It’s  an occupational hazard.  Inside, I lose track of time.  I’m reminded it’s Christmas when cards and an artificial flame-retardant tree decorated with soft ornaments appears on 3 East. 

Now it’s the end of February, still dreary and cold, a clear night with a dazzling array of stars and a sliver of bright white moon.  Plumes of vapor billow from my mouth.  I point my car home.  Garlands of Christmas lights still grace houses and trees in Portland.  I can’t decide whether my neighbors are lazy or crazy; maybe they’re depressed by our long gray winters or eccentrics who love Christmas lights.  Whatever their reason, that night I'm grateful.

 

Is this all that I have to live for?

I have recently managed to overdose myself on depressing movies: Revolutionary Road, Brokeback Mountain, The Dangerous Lives of Altar Boys, Atonement, The Kite Runner, Ghajini, Boys Don't Cry, and Sweeney Todd. In fact, my life has been caught in a deluge of everything that is utterly depressing and unfair; and now I'm left within the corners of my own confinement, wondering if this is all that there is to live for.

Every single person has their own folder of tragedy, some have cabinets full that lie dormant within their minds, collecting dust as life continues. Sometimes the dust unsettles and vivid images of those traumatic moments return to haunt their hosts until a type of emotional callus forms and numbs the pain…Numbs it so that they may forget and be happy again.

Life is contingent on happiness; without happiness life is one giant cesspit away from death. However, true happiness can only be measured in nanoseconds, it flits past in moments where there are no second thoughts or rationalizations…only pure bliss. But everything that is good must come to an end, everything that you love will eventually perish and everything that you thought that you would live for will disappear before your eyes. The reality behind happiness is the ongoing existence of pain.

The woman who finally conceived a child after seven miscarriages only to lose her only son in a car accident; the sister who walked into a blood-washed living room to find her family lying limply in the middle of it with their throats slit; the girl who spent her life savings trying to help the boy she loved reach his dreams, only to have him discard her for another woman; the four men who were forced into the boot of their car while their hijacker drove around for 16 hours…all of them continue to live each day with a mask of strength hidden in their smiles and the horrors of depth in their eyes. Maybe they lie in bed thinking that life cannot get worse. Maybe they move on. Maybe they are changed forever.

I'm generally the positive, bubbly person that people approach when they need a brighter perspective on their lives. However, I have no answers on how to escape the darker side of life permanently. I am a dreamer; I can dream myself into idyllic situations to regain contentment with my life. Though, no one can ever escape reality.

Whenever I look up into the bright blue winter skies with love-saturated eyes that bathe blissfully in its warmth, the truth always appears. The shocking headlines that tell you stories of the most grotesque crimes, the fear that each day could be your last or the last day of someone you love, and the constant checking of your valuables keeps reality at your front door. It is hard to live with such fear and pain and, though you may forget it from time to time, it always has a way of reminding you that it exists…

No matter how beautiful Durban currently is, the reality of high crime rates keeps me a prisoner in my own fear. No matter how many laughter-filled days I have with my friends, I still come home crying over the man who broke my heart. No matter how many stomach-aching comedies I watch, it is the tragedies that I remember…Is this all that I have to live for?

I think I need to detox from depressing movies.

 

Ask Ms. Turnstiles

It's time for another installment of "Ask Ms. Turnstiles," where all of your burning questions about the New York City subway system are answered. Let's get down to business.      

Q: I heard that the cost of the subway fares increased this week. What gives?

A: Since you asked, this is the perfect opportunity to review the numbers: $2.25 = New cost of a single subway ride.

1 million = Number of curses you will receive from the Chinese Curses Lady if you talk on the subway.

4 = Times per week a conductor will close the doors in your face.

45 = Number of sick passengers per week.

0 = Number of other options you have to get to work.      

 

Q: Is it true that Ruth Madoff, Bernie's wife, was spotted riding the subway last week?  

A: Why, yes! Ms. Turnstiles thinks it's heartwarming to know that she's just one of us.    

 

Q: Ms. Turnstiles, why does one subway car feel like a meat locker and the car right next to it feels like the rainforest?  

A: You may have heard the recent news that New York City has earned the honorable distinction of being this country's safest big city. (City motto: "We're glad we're not Detroit.") This hard-won achievement doesn't come without a no-holds-barred crackdown on things that put Gothamites at risk. After ridding the city of the dangerous criminal known as Trans-Fats and moving the menace to society called "Smoker" to back alleyways, Mayor Bloomberg has set his sights on arming you with the tools to avoid becoming a statistic. Here's how it works: You board the train and realize it's so humid you feel like you're breathing through a wet rag. Then you dash at breakneck speed to get to the next car before the doors close. After a few weeks of commuting, you'll be able to outrun any mugger. Thanks, Mayor Mike!     

 

Q: The woman sitting next to me is falling asleep and resting her head on my shoulder. Should I shake her awake? She's starting to snore.  

A: Ms. Turnstiles understands your predicament. She has been in this situation herself and take it from her, shaking the woman will only serve to have her snuggle closer to you. To remedy the problem, simply spritz a lot of perfume under her nose. You'll instantly create your own personal space and make yourself smell like you just left a cheap whorehouse, which serves as an added benefit of keeping your boss out of your cube for the rest of the day. It's a win-win situation.    

 

 Q: According to the television documentary, Life After People, the entire subway system will rot and collapse five years after people are gone from the Earth. What do you make of that?  

A: Ms. Turnstiles will answer your question with another question: If a subway system collapses and no one is around to witness it, why do you care?    

 

Q: Does your snarkiness on this subject have anything to do with the fact that you briefly dated one of the programmers for this show?  

A: Ms. Turnstiles won't dignify this question with a response, but if she did, she would have to point out, yet again, that the entire premise of the show is ridiculous. What tragedy could possibly eliminate all six billion people on this planet simultaneously yet not harm any domesticated or wild animals? Or any vegetation? Or not damage any of the existing infrastructure? Put that in your pipe and smoke it, bub.    

There you have it, straphangers. Another informative and helpful edition of "Ask Ms. Turnstiles." Until next time, when she will be taking more of your important questions, stand clear of the closing doors.