All posts by In The Fray Contributor

 

Mark Twain, American author and humorist

Man is the religious animal … He is the only animal that loves his neighbor as himself and cuts his throat if his theology isn’t straight. —Mark Twain, American author and humorist

Man is the religious animal … He is the only animal that loves his neighbor as himself and cuts his throat if his theology isn’t straight. —Mark Twain, American author and humorist

 

George Eliot, English novelist

It’s never too late to be who you might have been. —George Eliot, English novelist

It’s never too late to be who you might have been. —George Eliot, English novelist

 

Jean Renoir, French director, actor, and author

The awful thing about life is this: Everyone has their reasons. —Jean Renoir, French director, actor, and author

The awful thing about life is this: Everyone has their reasons. —Jean Renoir, French director, actor, and author

 

Cabbie joints

Cabbie joints Cricket scores, chicken tandoor, and commiseration.

Ashfaq Khan enters Lasani, and heads directly for the restroom at the back of the restaurant, calling out “Kya haal hai?” (“How’s it going?”) to acquaintances.

The television is tuned to Geo TV, a local Pakistani channel, which is now showing the news, largely ignored by the drivers clustered around the tables, who look up from their conversations only for the cricket scores. In this almost exclusively male, South Asian milieu, cabbies are able to relax, chat with other drivers clustered over the tables, or speak loudly into their hands-free cell phone sets. A Hindi and Punjabi hum washes over the restaurant.

Khan returns with his slow, shambling gait. His middle-aged face is good-natured, open. He lacks the on-the-ball keenness of a veteran driver, having only been a cabbie for two years after a long stint as a parking lot attendant came to an unceremonious end. He picks up his order of chicken curry at the steam table, and settles down by himself to await his fresh naan bread. “Sometimes I call my friends and we eat together,” Khan, 40, says. “But I don’t want to waste their time. Time is money.”

It is just after 10 p.m. on a Monday. Most shops are shuttered, and the crowd that swells the streets during the day is heading home to bed. As business slows down, cabbies begin thinking about dinner. Switching on their off-duty lights, they pull up to the curb along 29th Street between Fifth Avenue and Broadway, where Lasani has sat for a decade now. Restaurants like Lasani are havens for the city’s South Asian cabbies. While other busy urbanites spend top dollar to sit at the bars while celebrity chefs ignore them, the cabbie joints clustered around Manhattan’s “Curry Hill” in the East 20s, on Church Street near the World Trade Center, and on the Lower East Side opposite Katz’s Deli, have cheap food and clean bathrooms — a must for busy drivers. Here, they can exchange juicy stories about goings on in the back seat, complain about the taxi medallion system, discuss the ins and outs of the U.S. immigration system, and know they will find a sympathetic ear.

Khan is no fan of the driving life, but he appreciates the fact that he can set his own pace. “See, right now, I’m hungry, so I come down to eat,” he says. “You don’t need to wait for a break. You are your own boss.”

Dreams of home

According to Schaller Consulting, a New York taxi industry research firm, New York’s $1.82 billion taxicab industry employed 42,900 yellow cab drivers in 2005, 91 percent of whom were immigrants. A large number of them — 39 percent — came from Bangladesh, Pakistan and India.

The immigrant driver will almost never possess his own medallion — an official permit required by New York State. This piece of aluminum is what separates ordinary cars from cabs. But at $350,000, the cost of obtaining the medallion is often too much for recent immigrants. So, instead of buying, they lease them from wealthier owners at around $700 a week.

While the security and profit potential of ownership is a distant dream for many drivers, the taxicab industry has always been a magnet for fresh-off-the-boat immigrants, offering a ready job and the prospect of take-home cash at the end of the shift for those willing to endure tedious hours behind the wheel. In the thirties, the job belonged to Irish, Italian, and Eastern European immigrants. The eighties saw a wave of South Asians taking the wheel, drawing friends and relatives into the industry in their wake.

“They are often people with dual class identities,” says Vijay Prashad, professor of International Studies at Trinity College, Hartford, Connecticut, and author of The Karma of Brown Folk, a sociological study of the South Asian Diaspora in the United States. “They have aspirations.” Many cabbies come over as students, hoping to put themselves through school by driving at night, but many years later, find themselves stuck behind the wheel. Then there are cases like the small-scale farmers of Indian Punjab, who had to seek greener pastures when the government’s 1980s “green revolution” initiative brought in mechanization and favored wealthy farmers, Prashad says.

Many of these men leave their families behind in the hope of bringing them over when they are able to find higher paying jobs. For most, obtaining a measure of stability can take years. Until then, they drive cabs, share apartments with friends and relatives in South Asian enclaves in Jackson Heights, Richmond Hill, and Astoria in Queens, along Coney Island Avenue in Midwood, and Sheepshead Bay in Brooklyn. They try to stave off loneliness among the comforting sights of sari and gold jewelry shops and with people like themselves. This homesickness leads them to the humble, hole-in-the-wall South Asian cabbie cafes of Manhattan, with evocative names like Pak Punjab, Lahore Deli, and Chutney.

Among these restaurants, little regional touches dictate where cabbies choose to stop. Nuances like the channel playing on television, the newspapers on offer, and the language of banter make these restaurants a home-away-from-home for many drivers.

Then there’s the food. Bangla Curry on Church Street at Reade Street, and the Shipa Kasturi Pavilion on Lexington Avenue at 26th Street, for instance, feature a good selection of fish curries, favorites of Bangladeshi drivers weaned on a diet of rice and fish on the Ganges-Brahmaputra River delta. Pakistani restaurants make a fine art of naan bread, and a few restaurants offer only vegetarian entrees, catering to Indian vegetarian drivers.

Some places, like Lasani and Chandni, located on either side of the A.R. Rahman Mosque, enjoy a more diverse patronage. At Lasani, a calendar from the Tayyab Brothers Grain Market in Pakistan adorns one wall. Another bears a poster advertising prayer timings at the A.R. Rahman mosque.

Several times a day, devout Muslim drivers drape their jackets on chair backs at Lasani, wash up for prayers in the restroom, and then go downstairs to the basement mosque. “Then they come upstairs to eat,” says Komal Sultana, Lasani’s co-owner, who employs Pakistani, Bangladeshi, and Arabic cooks to serve up regional specialties. “That’s the most important thing. If they don’t get good food, they won’t come.”

On her steam table, spicy red tandoori chicken (in the authentic style of the town of Lahore in Pakistani Punjab) and lamb gosht keep company with whole fried fish for Bangladeshis, and mild, aromatic squash and eggplant stews in the Arabic style for African drivers.

The spread is tempting, but cabbies have to watch what they eat, Ashfaq Khan says, as he carefully consumes a side of shredded lettuce that most other diners ignore. “If you’re gonna be sitting a long time, you get a lot of diseases,” he says, echoing the concern of a number of drivers, who, since they have to pay out-of-pocket for health insurance, often forego it altogether.

Cabbie stresses

Khan works for 10 hours on weeknights and 12 hours on weekends — Friday and Saturday nights being the most lucrative for any driver. He pays $700 a week to lease his medallion from a private owner, and an additional $50 a day for gas — a total cost of $1,050 a week. During the week, Khan can make a profit of $80 to $90 on a good day. On bad days, he may break even. Weekends are better, yielding a profit of $200 a day or more.

Even so, it takes two incomes to make ends meet. Khan’s Trinidad-born wife is a travel agent, and is gone during the day when he is home. “Sometimes we’ll see each other during the weekend,” he says as he pops a few candied fennel seeds — an after-dinner breath freshener — into his mouth. “Sometimes I go home early, wake her up, and we talk.”

On top of the bad hours, he has to deal with the Saturday night revelers. “They’re drunk and spend all the money in the bars.” With stresses like these, Khan is not long for the taxi industry. He plans to someday get an automobile or refrigerator mechanic’s certification, and then buy a house. “A man can dream,” he says, half-smiling.

It’s the hard aspects of the driving life that have convinced Bangladesh-born Mamnun Ul Huq that cabbies need to band together. Ul Huq, a 44-year-old cabbie, often visits cabbie joints to get drivers to enroll in the New York Taxi Workers’ Alliance. He eats most of his meals at home — he pauses to blow on his coffee at a Curry Hill Dunkin’ Donuts — visiting the restaurants only to meet his cabbie brethren. “It’s good food, but too much oil,” he says with a grimace.

Since its inception in 1997, the NYTWA has been trying to organize yellow cab drivers. So far, it has gathered around 7,000 members, Ul Huq says, about 16 percent of his fellow drivers.

Besides visiting the restaurants, Ul Huq often uses the Bangladeshi Citizens’ Band radio network to announce NYTWA’s plans of action. “People need to unite to get what they want,” he says, “especially in a job with unreliable working conditions, where a man can get stabbed on duty.” In March 2005, a passenger plunged a knife into Ul Huq’s neck, missing his aorta by centimeters. It took a 10-hour surgery to treat the wound, he says. These “crazy guys,” as they are called, can strike without warning. As late as last year, two Bangladeshis — a yellow cab driver and a livery cab driver — were sent into a coma when they were attacked, victims of what are believed, from eyewitness accounts, to be hate crimes.

The difficulties of being a cabbie are so great that even Ul Huq, as involved in cabbie-welfare work as he is, may quit the industry. “After the stabbing, I can’t sit for hours,” he says. “I’m trying to get some business plans together. Let’s see.”

 

Bad Eyewear Can Mark a Child

Best of In The Fray 2007. How I learned to be sneaky and failed.

I was prescribed glasses fairly early on — after my vision had become suspect when I began walking into walls and stepping on Muffin, our aging Lhasa Apso. In 1979, on my fourth birthday, my father tried to take a picture of me in my Little Orphan Annie dress, but as he called my name, I could only look around with a blind and aimless gaze. In a flurry of despair, I was rushed out onto the porch, where I promptly failed a set of amateur sight tests administered by my mother. This failure sealed my fate of bespectacled childhood.

Now, those were the days of spartan provisions in the field of eyewear, before the time when designers manufactured children’s accessories to mimic their fashionable adult lines. Options were limited. The children’s section at the optometrist’s office consisted of 11 inches of shelf behind the counter with one or two horrific styles in your choice of mousy brown or black. They flattered no one. Constantly reminded of this fact by my sensitive classmates, I would remove the culprits the first chance I got, which was always during my walk to school. My glasses were octagonal, a sort of stop sign design that was mildly popular in the late 1970s. Though I detested these glasses, I knew they were expensive, so every morning I would gently slip them into my backpack like a pair of endangered cockroaches. I praised myself for my cunning and my mature considerations of value. On my return walk home, I would delicately pull the glasses out again, confident I had fooled everyone into believing I had 20/20 vision.

I couldn’t see the board. For nearly three years, my mother attended parent-teacher conferences where she was scolded for failing to provide her daughter with corrective lenses. My mother would argue. My teachers would sigh. My mother would return from school, confused and frustrated, and find me sitting six inches in front of the television. In a weary voice she would ask me, “You’re not wearing your glasses at school, are you? Don’t you know you’re ruining your vision? Do you want to go blind?” I would be irritated by the distraction and only unglue my eyes from the screen long enough to toss a few languid apologies in her direction. After quickly confirming that nothing of great import was happening on The Love Boat, I would then add a few tears for effect in the hopes of finalizing the discussion. I knew my mother wouldn’t understand the sublime genius of my scheme or realize I had sacrificed my precious vision to save myself from endless social torment. Undaunted, she would position me in front of a mirror and say things to my reflection like, “This is the person you really should be saying sorry to. Right here. In this mirror.” I would sniffle in agreement and nod ferociously at our looking-glass counterparts, but I wasn’t really sorry. My only remorse came from missing what happened to Isaac and Gopher in Puerta Vallarta and having to suffer through my mother’s amateur child psychology tactics.

For second grade I was assigned to Mrs. Rizzo’s class. I remember it as a hazy year, mainly because I couldn’t see anything, but it was compounded by Mrs. Rizzo’s maternity leave. Her absence made her seem mysterious, like a distant uncle who died of snakebite. In her place during those months was Miss Savage, a youngish spinster with radical ideas and enormous smoke-colored glasses. The dark lenses must have hampered her vision, because she compulsively followed each line of text across the page with her finger whenever she read. Although I did like her for letting us chew gum, the finger-reading made me somewhat suspicious of her.

One wintry morning, after watching me squint and stall and crane my neck in my third attempt at reading the day’s assignments on the blackboard, Miss Savage spoke in an uncharacteristically commanding tone. “Why don’t you go and get your glasses?” she said, more a demand than a query. “But I don’t wear glasses,” I heard myself begin to whine when she interrupted me with a voice that was louder than her rhinestone-studded eyewear: “I know they’re in your bag.”

I knew at once I was defeated. It was the end of an era, and nearsighted as I was, I had grown to enjoy my time in the fuzzy world of neck-thrusters and squinters. I pushed my tiny chair away from my desk and trudged back to the coat closet, slowly, guiltily, like a criminal approaching the guillotine. My pink unicorn sweater felt hot from shame and the burning eyes of my classmates who had all turned to watch me slink to the back. I reached into my matching unicorn backpack, fumbled around for my glasses, and pulled them out. The class was silent and time stood still.

I don’t recall the walk back to my desk. Like a dream, the next thing I am aware of is sitting down, bent in half, cowering. I am wearing my glasses, those hideous harbingers of sight, and am mortified, unable to lift my head. Everyone has crowded around, and I can feel 26 pairs of naked eyes peeking at me over the desk. Seated on my left, Miss Savage lays one hand on my shoulder and uses the other to adjust her monster-sized super glasses. I hear her sigh with the effort. She clears her throat and announces to the class that I have something to share. The newfound perkiness in her voice, indicating she would no longer be alone in her goggled freakishness, makes me skeptical. Feet shuffle in anticipation as I quietly wonder how life will be different for me now.

I look up. I am greeted by faces I do not recognize, though the voices are familiar. The strange heads stare at me for a moment, then, unimpressed and bored, their bodies sit back down. Exhausted, I tentatively lean back in my chair.

I do not see the future and the mockery I will eventually endure: the flat-chested jokes, the lesbian taunts, the geek jeers. Those will come later and will be just as anxious.

For now, I see the present clearly and breathe. Looking back at me, Miss Savage begins the lesson.

 

bell hooks, black feminist social critic

I always tell my students that Malcolm X came both to his spirituality and to his consciousness as a thinker when he had solitude to read. Unfortunately, tragically, like so many young black males, that solitude only came in prison. —bell hooks, black feminist social critic

I always tell my students that Malcolm X came both to his spirituality and to his consciousness as a thinker when he had solitude to read. Unfortunately, tragically, like so many young black males, that solitude only came in prison. —bell hooks, black feminist social critic

 

Eleanor Roosevelt, former First Lady

No one can make you feel inferior without your consent. —Eleanor Roosevelt, former First Lady

No one can make you feel inferior without your consent. —Eleanor Roosevelt, former First Lady

 

Eleanor Roosevelt, former First Lady

Understanding is a two-way street. —Eleanor Roosevelt, former First Lady

Understanding is a two-way street. —Eleanor Roosevelt, former First Lady

 

Salvador Dali, Spanish painter

Democratic societies are unfit for the publication of such thunderous revelations as I am in the habit of making. —Salvador Dali, Spanish painter

Democratic societies are unfit for the publication of such thunderous revelations as I am in the habit of making. —Salvador Dali, Spanish painter

 

Salvador Dali, Spanish painter

Progressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation —Salvador Dali, Spanish painter

Progressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation —Salvador Dali, Spanish painter

 

Paul Gaugin, artist

Art is either a plagiarist or a revolutionist. —Paul Gaugin, artist

Art is either a plagiarist or a revolutionist. —Paul Gaugin, artist

 

Paul Gaugin, French artist

It is the eye of ignorance that assigns a fixed and unchangeable color to every object; beware of this stumbling block. —Paul Gaugin, French artist

It is the eye of ignorance that assigns a fixed and unchangeable color to every object; beware of this stumbling block. —Paul Gaugin, French artist