In The Fray 2.0

Welcome to the new In The Fray.

We’ve been on hiatus for a while, and we’ve used that time to update the site, our editorial approach, and our nonprofit organization. We hope you’ll enjoy reading the new magazine. Ever since we founded ITF ten years ago, we’ve published stories that help readers understand other people and empathize with their struggles and triumphs. This will continue, but we’ve streamlined both the look and content of the magazine in ways that make our mission clearer and our work more compelling.

For our first installment of content on the new site, we’re featuring three stories. The first is a photo essay about cause-minded capitalism in East Africa. In Capitalism Reborn: An East African Story, roving photojournalist Jonathan Kalan gives us a ground-level view of how social entrepreneurs in Kenya, Rwanda, Tanzania, and Uganda are bringing essential products and creative solutions to poor families — from Avon-like networks that sell deworming tablets and solar-powered lamps, to fair-trade partnerships that employ local artisans and farmers. These promising social enterprises may be a third way between multinational corporations reluctant to enter these markets and foreign aid burdened with problems of politics and efficiency.

Playing the Streets takes us into the world of street chess players — those regulars in many a city park, some homeless and some not, who play for their pay. As Victor Epstein shows us, street players have their own rules and norms, and their unique culture mixes the most contradictory impulses: a cutthroat free market on the open town square, a fierce competition over a game that is rooted in the democratic principle that anyone — even a homeless man — can play and win.

Finally, In Exile remembers a childhood turning point that set a father and daughter on two different paths. Nicole Cipri reminds us of how fate and time conspire to separate us from the ones we love.

To fill in the lulls between posts of new feature articles, I will use this space to write a regular blog, starting this week.

As we take this magazine into a new phase, please consider donating to our nonprofit organization. Our redesign was a huge investment in time and energy, and we very much need your support at this time. Every donation is tax-deductible, and every small amount helps us to pay our writers and artists (as part of our revamp, we raised the rates we pay).

Feel free to email us at mail@inthefray.org with any feedback about the new magazine. We are also looking to fill key positions in our editorial and business departments.

On behalf of all of us at In The Fray, thank you for your support over the past decade. Here’s to another decade of thoughtful, personal stories on the issues that too often divide us.

Victor Tan Chen is In The Fray's editor in chief and the author of Cut Loose: Jobless and Hopeless in an Unfair Economy. Site: victortanchen.com | Facebook | Twitter: @victortanchen

 

Call for Submissions: The Kindness of Strangers

Tell us about those who have touched other people and made a difference — even if in passing. Describe your encounters with good samaritans as you were traveling, going through an ordeal, or just living everyday life. Share with us the kinds of stories that can turn a cynic's heart.

In The Fray Magazine | Call for Submissions | November 2011: The Kindness of Strangers

Recently in China, bystanders walked by after a toddler was struck by two vans — whose drivers then drove away. Her death caused international soul-searching over the callousness and inhumanity of modern society. In The Fray wants to approach this topic through a more optimistic lens: the kindness of strangers. Tell us about those who have touched other people and made a difference — even if in passing. Describe your encounters with good samaritans as you were traveling, going through an ordeal, or just living everyday life. Share with us the kinds of stories that can turn a cynic’s heart.

We are currently accepting pitches for articles that relate to this theme or more generally to the magazine’s mission of understanding other people and encouraging empathy and tolerance. We are looking for profiles, interviews, reportage, personal essays, op-eds, travel writing, photo essays, artwork, videos, multimedia projects, and review essays of books, film, music, and art. If interested, please email submissions@inthefray.org with a well-developed, one-paragraph pitch for your proposed piece as soon as possible — along with up to three links to your previous work — NO LATER THAN DECEMBER 7, 2011. All contributors are urged to review our submissions guidelines at http://inthefray.org/submit.

As usual, we are open to submissions on other topics as well. Please see the instructions at http://inthefray.org/submit for instructions on how to send us a query.

We are also looking for writers, photographers, and artists who can take care of specific assignments, including interviews, book and film reviews, and accompanying photos and artwork. If interested, please follow the instructions at the bottom of http://inthefray.org/submit to join our contributors mailing list.

We look forward to hearing from you.

The Editors of In The Fray Magazine
submissions@inthefray.org

 

Call for Submissions: Rebirth

To celebrate a rejuvenation of our own — the launch of our revamped site in December — In The Fray magazine would like to explore stories of rebirth. Send us your tales of people who have started over. Tell us stories of redemption in the face of long odds. We’re looking for pieces that demonstrate the transformative power of a new beginning. Think broadly about the topic and get creative.

In The Fray Magazine | Call for Submissions | October 2011: Rebirth
The most powerful stories that humanity tells itself are those of rebirth and redemption, transformation and transcendence — from ancient narratives of reincarnated deities and purifying deluges to modern-day fables of triumphant underdogs and rags-to-riches success. To celebrate a rejuvenation of our own — the launch of our revamped site in December — In The Fray magazine would like to explore stories of rebirth. Send us your tales of people who have started over. Tell us stories of redemption in the face of long odds. We’re looking for pieces that demonstrate the transformative power of a new beginning. Think broadly about the topic and get creative.

We are currently accepting pitches for articles that relate to this theme or more generally to the magazine’s mission of understanding other people and encouraging empathy and tolerance. We are looking for profiles, interviews, reportage, personal essays, op-eds, travel writing, photo essays, artwork, videos, multimedia projects, and review essays of books, film, music, and art. If interested, please email submissions@inthefray.org with a well-developed, one-paragraph pitch for your proposed piece as soon as possible, and NO LATER THAN NOVEMBER 7, 2011. All contributors are urged to review our revised submissions guidelines at http://inthefray.org/submit.

As usual, we are open to submissions on other topics as well. Please see the instructions at http://inthefray.org/submit for instructions on how to send us a query.

We are also looking for writers, photographers, and artists who can take care of specific assignments, including interviews, book and film reviews, and accompanying photos and artwork. If interested, please follow the instructions at the bottom of http://inthefray.org/submit to join our contributors mailing list.

We look forward to hearing from you.

The Editors of In The Fray Magazine
submissions@inthefray.org

 

TESOL International Film Exhibit featuring Portuguese and Brazilian film and video art

 

TESOL Drama and TESOL International/International TEFL Training Institute will present the 2nd Annual TESOL International Film and Art Exhibit on September 9th, 2011 at the TESOL International Headquarters in Midtown Manhattan. This year's exhibit, Oceano Atlântico (Atlantic Ocean) will premiere renowned Portuguese and Brazilian film and video artists.

Each piece varies within the performative, abstract, animation, or realistic styles of video installation, some of which have been exhibited in well-known Portuguese or Brazilian galleries.

Curator: Marisol Tirelli Rivera.

Artists include: Albuquerque Mendes, André Romão, António Olaio, António Leal, Beatriz Albuquerque, Carlos Noronha Feio, Carlos Melo, Daniel Barroca, Debora Santiago, Lourival Cuquinha, Nuno Ramalho, Nuno Sousa Vieira, Pedro Barateiro, Paulo Mendes, Rachel Korman, Rita Castro Neves, Sandra Gil, Susana Mendes Silva, Vasco Araujo, Vasco Barata, Victor Arruda, Among others…

Location: TESOL International/International TEFL Training Institute, 36 W 44th St. (Between 5th and 6th Ave.), Suite 1203 New York, New York

Free Public Screening, Sangria/Snack Animation Reception with Brazilian Music from 7.30pm-8pm. Films start promptly at 8pm to end around 10pm.

For more information, visit www.wix.com/tesolinternational/filmandartexhibit

Press Contact: Marisol Tirelli Rivera, TESOL Drama, (917) 310-7952, tesoldrama@yahoo.com, http://www.tesoldrama.com/

 

 

Galileo the Musical returning to the NY stage!

_gaia Presents Galileo the Musical in an evening of one-acts as part of the Planet Connections Theatre Festivity June 1st-26th Gene Frankel Theatre and The Robert Moss TheaterFor the first time, _gaia will be participating in the 2nd annual Planet Connections Festivity in an evening of one-acts presenting Galileo the Musical, book written by Marisol Tirelli Rivera, composed by James Behr, directed by Jenny Fersch, musical direction by Esther Ji Hye Choi and produced by Lillian Ribeiro. The Festivity will take place June 1st through the 26th at Gene Frankel Theatre (24 Bond Street), and The Robert Moss Theater at 440 Studios (440 Lafayette Street) in New York City.

This one-act embarks on a soulful journey to the past in the life of Galileo Galilei in his quest to save the environment and preserve intellectual freedom. The production features Paul Fraccalvieri, Tatum Kenney, Dominic Kidwell, Nathan Lugo, Jason Pumarada, Gloria Rice, Frank Rosner, Trish Szymanski and Ellen Weiss.

Technical Direction/Lighting Design by: Bruce Kraemer, Costume Design by: Howard Richman, and Stage Management by: Janelle Zapata.  

Galileo the Musical plays the following schedule at The Robert Moss Theater as part of the Planet Connections Theatre Festivity: Wednesday, June 8 at 8:30 PM, * Saturday, June 11 at 4:00 PM, Wednesday, June 15 at 6:30 PM, Sunday June 19 3:30 PM, Thursday June 21 at 8:00 PM and Friday June 24 at 6:30 PM.

Location: The Robert Moss Theater, 440 Lafayette Street, New York, NY

The theater is located between Astor Place and 4th St. and across the street from The Public Theater. Conveniently located near the N, R, W, and 6 trains.

Tickets are $18 and can be purchased in advance at https://www.ovationtix.com/trs/cal/27385

or http://planetconnections.org/ or by calling 1-866-811-4111.

*A special benefit show on June 11 will feature a talk back from 6:00 PM – 8:00 PM with artist and author, C Bangs and space scientist and author Dr. Greg Matloff (authors of Paradise Regained: The Greening of the Earth. A portion of the proceeds will benefit the East Coast Maine Coon Rescue an organization dedicated to rescuing cats and placing them in homes.

_gaia is a collective of women artists and activists creating art, events and opportunities in the visual and media arts, performance and design. Its members actively promote and support the work of local women artists while developing programs that encourage collaboration and create community to help emerging artists in need of studio space, facilities and resources. In pursuit of raising awareness _gaia concentrates on activism, from issues in the local community and the art world to global issues affecting the lives of women.

The Planet Connections Theatre Festivity is New York's premiere eco-friendly theatre festival. Fostering a diverse cross-section of performances, the festival seeks to inspire artists and audiences both creatively and fundamentally, in a festive atmosphere. At the heart of the festivity are like-minded individuals striving to create professional, meaningful theatre, while supporting organizations, which give back to the community at large.

(Post Card Design by: LEGITCREATIVEPERSON)

 

 

 

Making a difference little by little

During my more naive and idealistic years, I thought that studying law could enable me to help make a dent of change in the world. Then a visit to one of the magistrates courts slapped me back to reality. Two years later, Jurisprudence (the philosophy of law) discussions put into words what I had witnessed in the court that day:

– the legal system ultimately only assisted the affluent

– the South African Constitution is a great written work but too ideal to implement effectively

– lawyers, judges, attorneys, advocates, prosecutors… they were all human and swayed by human flaws

– justice was just a matter of perception… undefinable

To be honest, my path into the world of journalism was not a planned one but it made me see more instant effects. I'm not the all-caring all-for-change happy floaty person who hands R100 notes to beggars and I don't pretend to be nor do I preach about helping others. However seeing it and being able to do something does make me smile.

In the first couple of months of my life as a journalist I wrote an article about refugees and a week later I received a call from the refugee that I spoke to, pastor Matabaro, calling me to visit the Old Prison in Pietermaritzburg immediately. I went there, a tad annoyed for being pulled away from my scheduled day, only to find masses of refugees collecting food. A person from a church had read my article and now donates food monthly to help out all the refugees. "You did that!" the pastor had said to me that day.

I've written about many non-profit organisations in my last nine months of working for a newspaper. All of them doing good for the community in their own special way. Recently, a women repeated those three words to me after her project had received some funding.

"You did that!" she said.

It never means as much to me as it does to them. I'm merely doing my job. I have little control over what goes into the newspaper and what doesn't and sometimes, I wish I cared more. (I blame studying law for killing all empathy in me, despite me only studying it for two years).

Almost two years ago, I wrote a post on how easy it would be to make a change using modern technology. Today we witness instantaneous alerts about the earthquake in Japan, the nuclear power plant explosions and other countries that may be affected by it. The devastation is broadcast everywhere (except maybe Libya… but that's not because they don't care!), and people are calling to help globally.

In that light, here are some of the non-profit projects that I have written about that are making small but great changes in society (their details are at the bottom of the linked articles).

Commodes for young children with Cerebral Palsy: Because dignity is one of the key human rights in the South African Constitution. These commodes assist in toilet-training young children with disabilities in rural areas. While commodes are not new, the design is. It's wooden, stable, easy to move and can be used outside. The design is soon to be made available freely for others to extend the project independently… and hopefully it will end up helping anyone who may need it; old or young.

A baby safe in KZN (follow up article): Because young babies are abandoned and left to die almost every day and here's someone who's willing to look after the 'unwanted burden' free of charge and without complaint. Babies are innocent. Urgh! I understand unwanted pregnancies and financial burdens, but you don't leave the little bundle in a garbage bin.

Free Rehab for drug addicts and alcoholics: Because substance abuse is increasing rapidly and it affects every aspect of life and change. It plays a role in the increase of crime, domestic violence, poverty and road accidents, hence affecting everyone of us.

Refugees in PMB (of course): Because life for them is already hard enough.

Just a few years ago, a crisis occuring somewhere across of our countries borders seemed like little concern because there was little that we could do to help. But now, the world is at our fingertips. Change is at out fingertips. And no matter how small the gesture, every bit counts (kinda like voting 😉

 

How I became an award-winning film director: A me moment

The world is a strange place. There is an increase of opportunities and this floating ideal that everyone is a star. However, accessing these opportunities are near impossible if you don't have the money or contacts to help you.

 Accelerating globalisation and new-found equalities have resulted in more competition as everyone is now breaking out into what they truly want to do or what seems like more fun than their current day job.

Self helps books are indoctrinating us with their generalised platitudes: "Anything is possble", "Be who you have always wanted to be", "Just do it" (oh wait, that's Nike).

Today, that conservative view holding back the artistic types due to fear of monetary failure still exists but is less binding. People rather opt for the meagre income they get from doing what they love. There is an increase in qualified lawyers who are now radio DJs and rockstars; doctors and accountants who are comedians, and matric-less entrepreneurs. Everybody believes that they can be and do everything, be it writing a novel or self-medicating when they have the flu.

It all sounds glamourous and inspiring, but it's hard. 

It's very easy to say "just go for it… jump!", but there's a lot at stake and EVERYBODY has something holding them back. Fear of rejection, fear of failure, fear of success and just fear of financial difficulties are all valid reasons to not quit your current day job that you hate, to not finish that novel or to not emigrate in search for better opportunities in order to become the proverbial 'someone'. 

My philosophy is "baby steps!" Work that shit job and pull yourself through the kak while slowly moving towards what you truly want.

When I was in high school, I wanted to become a film director (or an advert designer person but more a director). A fellow pupil even told me before assembly one morning that I had the stride of one and it just elevated my dream of becoming one (even though I had no idea what it even meant). However, my guidance teacher believed otherwise and said, "You can have your dreams but they must be sensible." 

My parents, as any caring parents would, favoured the more sensible and stable option and I took the road well-trodden on.

After I had dragged myself through four years of university to get a BA Hons and be met with 6 months of unemployment, my dreams had become jaded. The logical option of completing an LLB and living in courts fighting for an 'anti-justice' seemed rosier than a pauper but I was unwilling to prove everybody right by completing my LLB.

I saw a message on Facebook about a short film challenge for the Durban International Film Festival. I wanted to do it but I had R2000 in my account and almost nothing to make it work. The challenge involved making a five minute film in three weeks.

On the first day of the challenge, I got that phonecall I had been waiting for: I had a job as a features writer for a newspaper. Knowing that I would have some income soon, I spent R1500 on editing software and started writing a script and gathering friends who would be interested in helping. Most of them dropped out and a week and a half later, I had one friend, Heloise (I would never have been able to complete the movie without her), helping me out and no cast.

I thought "FK it!". I didn't care about how kak my father's 2005 mini DVD handy-cam and editing software was. I just had to do it.

What resulted is a mad filming shoot over one weekend. It was never easy. The place that we had planned to film the office scene turned out to be empty with only one scratched on table and two broken chairs (one which was bright purple). We used curtains as a table cloth and as a way to transform the empty space into some kind of upmarket office. Due to the rigid time constraints, we were also unable to do second takes for certain scenes…. hence the scene where the main guy is looking the wrong way. My remaining R500 was used on food for the cast, petrol and a few props so there was no way to combat the setting sun to steal more time (though we did try flashlights).

 On top of all that, I had never studied film. I borrowed a book from the library on camera work and just clicked away until I worked out how to use the editting programme.

It was a crazy mess and I never believed it would even make it through the judges to the screening at the Durban International Film Festival. But it did.

How I won was a mix of popularity and luck. The vote, originally meant to be on the DIFF website, was on Facebook. My friend however still thinks that our movie was the best. I think its a load of krap, but I'm also very insecure of my work… like most artists.

Oh well, that is how it won Best Film for the DIFF Short Film Challenge.

The point: Just go for it.

Courage, the thread that holds together the fabric of life in Haiti.

Best of In The Fray 2010

It is hard to believe that another year has come and gone, and harder that I’m writing and believing such clichés. I used to think that only old people marveled at how quickly years passed, and now I find myself doing it as well. I suppose it is the way of the world.

2011 will bring many changes for ITF. We’re getting ready to unveil a new site design, and will be welcoming several new staff members in the coming months.

Looking back on 2010, we featured a lot of great pieces, but here’s a few of what we thought was our best:

 

‘Dance in the River of Dreams’ and Other Poems, by Larry Jaffe

Yellow River Journalism, by Caitlin E. Schultz

Making History Out of Footnotes, by Jillian York

Haiti, Before the Ground Shook, by Gergana Koleva

Toasting Poe, by Cynthia Pelayo

 

Thank you very much to all of our readers! Best wishes in 2011!

 

 

Think About It Climate Change: Farewell Thoughts

 

I thoroughly enjoyed participating in Think About It Climate Change blogging competition. It was great learning experience, got to learn so much more about our world, environment and also about myself.

 Let me be a pompous a## and start by explaining how glorious I feel now that I have successfully participated in this month long competition. It feels great to have contributed to the debate on climate change and Nepal, although towards the end I got a little wiser and wrote about US issues too.

 It was not all about me, I learned about our world too. There is still hope and there are committed people working hard to make a difference. That was a reality check for a chronic cynic like me.

 So, all of you who love this world and our environment, please keep the fire burning. We have keep climate change discussion relevant and push fore more action to deal with issue. 

 

 

Finally people are saying it loud and clear: Clean Coal is a LIE!


 

Clean coal is an oxymoron, just like "intelligent design" or "Senate ethics panel". There is nothing clean about coal, you burn it and the by-products are harmful to the planet. Coal can be made clean if you just don't burn it!

Now, even in heartland of the big coal country America, the public is seeing through the big lie being spread around by the coal industry. In Kentucky, locals have embraced clean energy instead of a coal plant.

Jeff Biggers at Huffington Post says,

"Recognizing the spiraling costs of coal-fired plant construction and more practical energy efficiency and renewable energy options, the East Kentucky Power Cooperative has agreed to halt its once fervent plans to construct two coal-burning power plants in Clark County.

The announcement comes nearly one year after American Municipal Power abandoned its plans to build a coal-fired power plant along the Ohio River in Meigs County, and shifted the battle between coal-fired plants and New Power sources to Kentucky.

Led by EKPC members, the Sierra Club, Kentucky Environmental Foundation and Kentuckians For The Commonwealth, along with individual co-op members Wendell Berry, Father John Rausch and Dr. John A. Patterson, the announcement comes as an extraordinary shift in the national debate over coal-fired energy."

A very positive development indeed. Kentucky is moving in right direction, not only are they saving money by not choosing coal, they are also saving the environment and some cold cash.

"Clean coal" lie manufacturers must be going crazy right now. Let them! facts and science don't support them either. Here are some simple truths about coal 

  • Carbon capture and storage(a plan that could make coal "clean") is a scam.
  • 24,000 people a year still die prematurely from pollution emitted at coal-fired power plants, in addition to a litany of other health effects that injure and impede hundreds of thousands of Americans.
  • Time magazine reported in 2009,"coal remains a highly polluting source of electricity that has serious impacts on human health, especially among those who live near major plants. Take coal ash, a solid byproduct of burned coal. A draft report last year by the Environmental Protection Agency (EPA) found that the ash contains significant levels of carcinogens, and that the concentration of arsenic in ash, should it contaminate drinking water, could increase cancer risks by several hundred times."

    And the list of myths and lies about coal and clean coal goes on and on. The industry is spending millions to cheat people, instead of investing it on honestly clean power plants. How about investing in a wind farm or solar energy, you "clean coal" liars?

 

 

Shed for you

Poetry by Pris Campbell with paintings by Mary Hillier

Shed for You

In the wounded haze
of this unfolding moment,
Black Jesus slips to earth,
unshaven.

Dressed in torn jeans,
he sits, hookers at his feet.
Sunlight circles his head.
Complaints rush in to city hall
about wine found in the water main.

We turn on the sprinkler,
cares tumbling from fingertips
as we soak in the amber spray.

Our bodies glow
from memories rising
of days long ago, days
when you still loved me.

Artist’s commentary:

I often think of the people we pass in our everyday lives who are filled with goodness and the ability to inspire goodness in us. We don’t see many of them because we judge them by their outward appearance and dismiss them. The poem is a tribute to those unseen people.

Abstract Cross by Mary Hillier

 

A fast way of painting by simply blocking in color or in this case the lack of it except for two bright blue squares.

 

Baptismal Font

Pink and green mansions sizzle
in Palm Beach’s white heat,
windows shuttered, lawns tended
by riff raff from the wrong side
of the Intracoastal Waterway.
Shaggy haired JilRoy Roco gazes
across Ocean Boulevard to padlocked gates
blocking beach belonging to these MIA rich
to the high tide line.
JilRoy figures beaches belong to God,
not these see and be seens who call
only to complain their shrubs
are cut too short or too tall,
who treat him like the Invisible Man
or Tonto trailing in Silver’s dust.

He tosses weed eater into truck, drives
north to the Palm Beach Public Beach
where, no longer invisible, so dark
against anemic rich tourist skin,
he saunters to the low tide line,
heads south into no-man’s land,
feet sinking into wet sand, waves
seeping over work boots.
Odysseus in a lawn cutter’s uniform.

I see him approach this end of God’s beach,
a shadow in the fading light.
Sand clings like sequins to his soaked pants.
His eyes are dewdrops; hair, seaweed.
I want to kiss him, draw him under
the pier, make love to courage.
Instead, I hand him my water bottle.
He pours it over his head.

Artist’s commentary:

This poem accurately describes the situation with ownership of the beaches over in Palm Beach. I used to bike weekly through that stretch of closed up mansions and rusted-shut gates and never saw anyone using the beach. Despite that, just to walk the beach would incur a fine. One day a friend of mine went to the public beach in Palm Beach at low tide and walked below the tide line those 13 miles south to ‘legal’ territory again. He became my personal hero for doing this. I made him into JilRoy because so many of the workers over there are dark skinned and invisible.

Green Flamingo by Mary Hillier

 

Love of that creatures elegant shape has me painting them over and over.

Dawn

He slips out of my dream,
eyes filled with moonlight,
and embraces me.
He’s young again, body mended
by the laughter of innocent children,
the scent of blossoming flowers.

If I open my eyes to cry happiness
onto his shoulder he will fade,
rejoin the invisible dead,
so I dream on, desperately,
until dawn breaks, taking him.

Artist’s commentary:

This poem was inspired by the death of someone close to me. So many times people who’ve died appear to me in dreams and I’m grateful when they do . I get to see them again and I don’t want that dream to end.

Face Drawing by Mary Hillier

 

Actual portrait drawn from a mask of my own face.

 

Every guest is a gift from God

One of the most remarkable things about large swaths of the non-western world from my distinctly western is the importance of hospitality, of honoring one’s guests and treating strangers as friends. I remember taking tea with countless Moroccans whom I know were unimpressed with me, but felt obligated by their culture to extend a simple kindness to a weary traveler. I remember a shoemaker in Nepal who offered advice and guidance to a wandering hiker who had lost his way. I remember a desk worker at a hostel in India who provided an exhausted man roaming the streets at 5 in the morning a bed to sleep in at no charge.

In this month’s issue of InTheFray, we feature three poems from Priscilla Campbell titled Shed for you. We hear about diversity and campus advocacy from LuzJennifer Martinez in her piece My L.I.F.E. story. Amy O’Laughlin also reviews The Tenth Parallel in Parallel lives.

It is my goal to learn something from these small acts of generosity shared with me by strangers, people who are much closer to the line between eating and not eating than I am and was. people who were surely aware of this and who helped anyway. It seems to me that at its essence, kindness, generosity, and hospitality are not virtues that are shared with others and thereby diminish ourselves, but rather acts that strengthen both the receiver and the giver. I try to remember this as I move through my days, helped along by the kindness of strangers.

I am a writer/editor turned web developer. I've served as both Editor-in-chief and Technical Developer of In The Fray Magazine over the past 5 years. I am gainfully employed, writing, editing and developing on the web for a small private college in Duluth, MN. I enjoy both silence and heavy metal, John Milton and Stephen King, sunrise and sunset. Like all of us, I contain multitudes.

personal stories. global issues.