Call for Submissions: Rebirth

To celebrate a rejuvenation of our own — the launch of our revamped site in December — In The Fray magazine would like to explore stories of rebirth. Send us your tales of people who have started over. Tell us stories of redemption in the face of long odds. We’re looking for pieces that demonstrate the transformative power of a new beginning. Think broadly about the topic and get creative.

In The Fray Magazine | Call for Submissions | October 2011: Rebirth
The most powerful stories that humanity tells itself are those of rebirth and redemption, transformation and transcendence — from ancient narratives of reincarnated deities and purifying deluges to modern-day fables of triumphant underdogs and rags-to-riches success. To celebrate a rejuvenation of our own — the launch of our revamped site in December — In The Fray magazine would like to explore stories of rebirth. Send us your tales of people who have started over. Tell us stories of redemption in the face of long odds. We’re looking for pieces that demonstrate the transformative power of a new beginning. Think broadly about the topic and get creative.

We are currently accepting pitches for articles that relate to this theme or more generally to the magazine’s mission of understanding other people and encouraging empathy and tolerance. We are looking for profiles, interviews, reportage, personal essays, op-eds, travel writing, photo essays, artwork, videos, multimedia projects, and review essays of books, film, music, and art. If interested, please email submissions@inthefray.org with a well-developed, one-paragraph pitch for your proposed piece as soon as possible, and NO LATER THAN NOVEMBER 7, 2011. All contributors are urged to review our revised submissions guidelines at http://inthefray.org/submit.

As usual, we are open to submissions on other topics as well. Please see the instructions at http://inthefray.org/submit for instructions on how to send us a query.

We are also looking for writers, photographers, and artists who can take care of specific assignments, including interviews, book and film reviews, and accompanying photos and artwork. If interested, please follow the instructions at the bottom of http://inthefray.org/submit to join our contributors mailing list.

We look forward to hearing from you.

The Editors of In The Fray Magazine
submissions@inthefray.org

 

TESOL International Film Exhibit featuring Portuguese and Brazilian film and video art

 

TESOL Drama and TESOL International/International TEFL Training Institute will present the 2nd Annual TESOL International Film and Art Exhibit on September 9th, 2011 at the TESOL International Headquarters in Midtown Manhattan. This year's exhibit, Oceano Atlântico (Atlantic Ocean) will premiere renowned Portuguese and Brazilian film and video artists.

Each piece varies within the performative, abstract, animation, or realistic styles of video installation, some of which have been exhibited in well-known Portuguese or Brazilian galleries.

Curator: Marisol Tirelli Rivera.

Artists include: Albuquerque Mendes, André Romão, António Olaio, António Leal, Beatriz Albuquerque, Carlos Noronha Feio, Carlos Melo, Daniel Barroca, Debora Santiago, Lourival Cuquinha, Nuno Ramalho, Nuno Sousa Vieira, Pedro Barateiro, Paulo Mendes, Rachel Korman, Rita Castro Neves, Sandra Gil, Susana Mendes Silva, Vasco Araujo, Vasco Barata, Victor Arruda, Among others…

Location: TESOL International/International TEFL Training Institute, 36 W 44th St. (Between 5th and 6th Ave.), Suite 1203 New York, New York

Free Public Screening, Sangria/Snack Animation Reception with Brazilian Music from 7.30pm-8pm. Films start promptly at 8pm to end around 10pm.

For more information, visit www.wix.com/tesolinternational/filmandartexhibit

Press Contact: Marisol Tirelli Rivera, TESOL Drama, (917) 310-7952, tesoldrama@yahoo.com, http://www.tesoldrama.com/

 

 

Galileo the Musical returning to the NY stage!

_gaia Presents Galileo the Musical in an evening of one-acts as part of the Planet Connections Theatre Festivity June 1st-26th Gene Frankel Theatre and The Robert Moss TheaterFor the first time, _gaia will be participating in the 2nd annual Planet Connections Festivity in an evening of one-acts presenting Galileo the Musical, book written by Marisol Tirelli Rivera, composed by James Behr, directed by Jenny Fersch, musical direction by Esther Ji Hye Choi and produced by Lillian Ribeiro. The Festivity will take place June 1st through the 26th at Gene Frankel Theatre (24 Bond Street), and The Robert Moss Theater at 440 Studios (440 Lafayette Street) in New York City.

This one-act embarks on a soulful journey to the past in the life of Galileo Galilei in his quest to save the environment and preserve intellectual freedom. The production features Paul Fraccalvieri, Tatum Kenney, Dominic Kidwell, Nathan Lugo, Jason Pumarada, Gloria Rice, Frank Rosner, Trish Szymanski and Ellen Weiss.

Technical Direction/Lighting Design by: Bruce Kraemer, Costume Design by: Howard Richman, and Stage Management by: Janelle Zapata.  

Galileo the Musical plays the following schedule at The Robert Moss Theater as part of the Planet Connections Theatre Festivity: Wednesday, June 8 at 8:30 PM, * Saturday, June 11 at 4:00 PM, Wednesday, June 15 at 6:30 PM, Sunday June 19 3:30 PM, Thursday June 21 at 8:00 PM and Friday June 24 at 6:30 PM.

Location: The Robert Moss Theater, 440 Lafayette Street, New York, NY

The theater is located between Astor Place and 4th St. and across the street from The Public Theater. Conveniently located near the N, R, W, and 6 trains.

Tickets are $18 and can be purchased in advance at https://www.ovationtix.com/trs/cal/27385

or http://planetconnections.org/ or by calling 1-866-811-4111.

*A special benefit show on June 11 will feature a talk back from 6:00 PM – 8:00 PM with artist and author, C Bangs and space scientist and author Dr. Greg Matloff (authors of Paradise Regained: The Greening of the Earth. A portion of the proceeds will benefit the East Coast Maine Coon Rescue an organization dedicated to rescuing cats and placing them in homes.

_gaia is a collective of women artists and activists creating art, events and opportunities in the visual and media arts, performance and design. Its members actively promote and support the work of local women artists while developing programs that encourage collaboration and create community to help emerging artists in need of studio space, facilities and resources. In pursuit of raising awareness _gaia concentrates on activism, from issues in the local community and the art world to global issues affecting the lives of women.

The Planet Connections Theatre Festivity is New York's premiere eco-friendly theatre festival. Fostering a diverse cross-section of performances, the festival seeks to inspire artists and audiences both creatively and fundamentally, in a festive atmosphere. At the heart of the festivity are like-minded individuals striving to create professional, meaningful theatre, while supporting organizations, which give back to the community at large.

(Post Card Design by: LEGITCREATIVEPERSON)

 

 

 

Making a difference little by little

During my more naive and idealistic years, I thought that studying law could enable me to help make a dent of change in the world. Then a visit to one of the magistrates courts slapped me back to reality. Two years later, Jurisprudence (the philosophy of law) discussions put into words what I had witnessed in the court that day:

– the legal system ultimately only assisted the affluent

– the South African Constitution is a great written work but too ideal to implement effectively

– lawyers, judges, attorneys, advocates, prosecutors… they were all human and swayed by human flaws

– justice was just a matter of perception… undefinable

To be honest, my path into the world of journalism was not a planned one but it made me see more instant effects. I'm not the all-caring all-for-change happy floaty person who hands R100 notes to beggars and I don't pretend to be nor do I preach about helping others. However seeing it and being able to do something does make me smile.

In the first couple of months of my life as a journalist I wrote an article about refugees and a week later I received a call from the refugee that I spoke to, pastor Matabaro, calling me to visit the Old Prison in Pietermaritzburg immediately. I went there, a tad annoyed for being pulled away from my scheduled day, only to find masses of refugees collecting food. A person from a church had read my article and now donates food monthly to help out all the refugees. "You did that!" the pastor had said to me that day.

I've written about many non-profit organisations in my last nine months of working for a newspaper. All of them doing good for the community in their own special way. Recently, a women repeated those three words to me after her project had received some funding.

"You did that!" she said.

It never means as much to me as it does to them. I'm merely doing my job. I have little control over what goes into the newspaper and what doesn't and sometimes, I wish I cared more. (I blame studying law for killing all empathy in me, despite me only studying it for two years).

Almost two years ago, I wrote a post on how easy it would be to make a change using modern technology. Today we witness instantaneous alerts about the earthquake in Japan, the nuclear power plant explosions and other countries that may be affected by it. The devastation is broadcast everywhere (except maybe Libya… but that's not because they don't care!), and people are calling to help globally.

In that light, here are some of the non-profit projects that I have written about that are making small but great changes in society (their details are at the bottom of the linked articles).

Commodes for young children with Cerebral Palsy: Because dignity is one of the key human rights in the South African Constitution. These commodes assist in toilet-training young children with disabilities in rural areas. While commodes are not new, the design is. It's wooden, stable, easy to move and can be used outside. The design is soon to be made available freely for others to extend the project independently… and hopefully it will end up helping anyone who may need it; old or young.

A baby safe in KZN (follow up article): Because young babies are abandoned and left to die almost every day and here's someone who's willing to look after the 'unwanted burden' free of charge and without complaint. Babies are innocent. Urgh! I understand unwanted pregnancies and financial burdens, but you don't leave the little bundle in a garbage bin.

Free Rehab for drug addicts and alcoholics: Because substance abuse is increasing rapidly and it affects every aspect of life and change. It plays a role in the increase of crime, domestic violence, poverty and road accidents, hence affecting everyone of us.

Refugees in PMB (of course): Because life for them is already hard enough.

Just a few years ago, a crisis occuring somewhere across of our countries borders seemed like little concern because there was little that we could do to help. But now, the world is at our fingertips. Change is at out fingertips. And no matter how small the gesture, every bit counts (kinda like voting 😉

 

How I became an award-winning film director: A me moment

The world is a strange place. There is an increase of opportunities and this floating ideal that everyone is a star. However, accessing these opportunities are near impossible if you don't have the money or contacts to help you.

 Accelerating globalisation and new-found equalities have resulted in more competition as everyone is now breaking out into what they truly want to do or what seems like more fun than their current day job.

Self helps books are indoctrinating us with their generalised platitudes: "Anything is possble", "Be who you have always wanted to be", "Just do it" (oh wait, that's Nike).

Today, that conservative view holding back the artistic types due to fear of monetary failure still exists but is less binding. People rather opt for the meagre income they get from doing what they love. There is an increase in qualified lawyers who are now radio DJs and rockstars; doctors and accountants who are comedians, and matric-less entrepreneurs. Everybody believes that they can be and do everything, be it writing a novel or self-medicating when they have the flu.

It all sounds glamourous and inspiring, but it's hard. 

It's very easy to say "just go for it… jump!", but there's a lot at stake and EVERYBODY has something holding them back. Fear of rejection, fear of failure, fear of success and just fear of financial difficulties are all valid reasons to not quit your current day job that you hate, to not finish that novel or to not emigrate in search for better opportunities in order to become the proverbial 'someone'. 

My philosophy is "baby steps!" Work that shit job and pull yourself through the kak while slowly moving towards what you truly want.

When I was in high school, I wanted to become a film director (or an advert designer person but more a director). A fellow pupil even told me before assembly one morning that I had the stride of one and it just elevated my dream of becoming one (even though I had no idea what it even meant). However, my guidance teacher believed otherwise and said, "You can have your dreams but they must be sensible." 

My parents, as any caring parents would, favoured the more sensible and stable option and I took the road well-trodden on.

After I had dragged myself through four years of university to get a BA Hons and be met with 6 months of unemployment, my dreams had become jaded. The logical option of completing an LLB and living in courts fighting for an 'anti-justice' seemed rosier than a pauper but I was unwilling to prove everybody right by completing my LLB.

I saw a message on Facebook about a short film challenge for the Durban International Film Festival. I wanted to do it but I had R2000 in my account and almost nothing to make it work. The challenge involved making a five minute film in three weeks.

On the first day of the challenge, I got that phonecall I had been waiting for: I had a job as a features writer for a newspaper. Knowing that I would have some income soon, I spent R1500 on editing software and started writing a script and gathering friends who would be interested in helping. Most of them dropped out and a week and a half later, I had one friend, Heloise (I would never have been able to complete the movie without her), helping me out and no cast.

I thought "FK it!". I didn't care about how kak my father's 2005 mini DVD handy-cam and editing software was. I just had to do it.

What resulted is a mad filming shoot over one weekend. It was never easy. The place that we had planned to film the office scene turned out to be empty with only one scratched on table and two broken chairs (one which was bright purple). We used curtains as a table cloth and as a way to transform the empty space into some kind of upmarket office. Due to the rigid time constraints, we were also unable to do second takes for certain scenes…. hence the scene where the main guy is looking the wrong way. My remaining R500 was used on food for the cast, petrol and a few props so there was no way to combat the setting sun to steal more time (though we did try flashlights).

 On top of all that, I had never studied film. I borrowed a book from the library on camera work and just clicked away until I worked out how to use the editting programme.

It was a crazy mess and I never believed it would even make it through the judges to the screening at the Durban International Film Festival. But it did.

How I won was a mix of popularity and luck. The vote, originally meant to be on the DIFF website, was on Facebook. My friend however still thinks that our movie was the best. I think its a load of krap, but I'm also very insecure of my work… like most artists.

Oh well, that is how it won Best Film for the DIFF Short Film Challenge.

The point: Just go for it.

Courage, the thread that holds together the fabric of life in Haiti.

Best of In The Fray 2010

It is hard to believe that another year has come and gone, and harder that I’m writing and believing such clichés. I used to think that only old people marveled at how quickly years passed, and now I find myself doing it as well. I suppose it is the way of the world.

2011 will bring many changes for ITF. We’re getting ready to unveil a new site design, and will be welcoming several new staff members in the coming months.

Looking back on 2010, we featured a lot of great pieces, but here’s a few of what we thought was our best:

 

‘Dance in the River of Dreams’ and Other Poems, by Larry Jaffe

Yellow River Journalism, by Caitlin E. Schultz

Making History Out of Footnotes, by Jillian York

Haiti, Before the Ground Shook, by Gergana Koleva

Toasting Poe, by Cynthia Pelayo

 

Thank you very much to all of our readers! Best wishes in 2011!

 

 

Think About It Climate Change: Farewell Thoughts

 

I thoroughly enjoyed participating in Think About It Climate Change blogging competition. It was great learning experience, got to learn so much more about our world, environment and also about myself.

 Let me be a pompous a## and start by explaining how glorious I feel now that I have successfully participated in this month long competition. It feels great to have contributed to the debate on climate change and Nepal, although towards the end I got a little wiser and wrote about US issues too.

 It was not all about me, I learned about our world too. There is still hope and there are committed people working hard to make a difference. That was a reality check for a chronic cynic like me.

 So, all of you who love this world and our environment, please keep the fire burning. We have keep climate change discussion relevant and push fore more action to deal with issue. 

 

 

Finally people are saying it loud and clear: Clean Coal is a LIE!


 

Clean coal is an oxymoron, just like "intelligent design" or "Senate ethics panel". There is nothing clean about coal, you burn it and the by-products are harmful to the planet. Coal can be made clean if you just don't burn it!

Now, even in heartland of the big coal country America, the public is seeing through the big lie being spread around by the coal industry. In Kentucky, locals have embraced clean energy instead of a coal plant.

Jeff Biggers at Huffington Post says,

"Recognizing the spiraling costs of coal-fired plant construction and more practical energy efficiency and renewable energy options, the East Kentucky Power Cooperative has agreed to halt its once fervent plans to construct two coal-burning power plants in Clark County.

The announcement comes nearly one year after American Municipal Power abandoned its plans to build a coal-fired power plant along the Ohio River in Meigs County, and shifted the battle between coal-fired plants and New Power sources to Kentucky.

Led by EKPC members, the Sierra Club, Kentucky Environmental Foundation and Kentuckians For The Commonwealth, along with individual co-op members Wendell Berry, Father John Rausch and Dr. John A. Patterson, the announcement comes as an extraordinary shift in the national debate over coal-fired energy."

A very positive development indeed. Kentucky is moving in right direction, not only are they saving money by not choosing coal, they are also saving the environment and some cold cash.

"Clean coal" lie manufacturers must be going crazy right now. Let them! facts and science don't support them either. Here are some simple truths about coal 

  • Carbon capture and storage(a plan that could make coal "clean") is a scam.
  • 24,000 people a year still die prematurely from pollution emitted at coal-fired power plants, in addition to a litany of other health effects that injure and impede hundreds of thousands of Americans.
  • Time magazine reported in 2009,"coal remains a highly polluting source of electricity that has serious impacts on human health, especially among those who live near major plants. Take coal ash, a solid byproduct of burned coal. A draft report last year by the Environmental Protection Agency (EPA) found that the ash contains significant levels of carcinogens, and that the concentration of arsenic in ash, should it contaminate drinking water, could increase cancer risks by several hundred times."

    And the list of myths and lies about coal and clean coal goes on and on. The industry is spending millions to cheat people, instead of investing it on honestly clean power plants. How about investing in a wind farm or solar energy, you "clean coal" liars?

 

 

Shed for you

Poetry by Pris Campbell with paintings by Mary Hillier

Shed for You

In the wounded haze
of this unfolding moment,
Black Jesus slips to earth,
unshaven.

Dressed in torn jeans,
he sits, hookers at his feet.
Sunlight circles his head.
Complaints rush in to city hall
about wine found in the water main.

We turn on the sprinkler,
cares tumbling from fingertips
as we soak in the amber spray.

Our bodies glow
from memories rising
of days long ago, days
when you still loved me.

Artist’s commentary:

I often think of the people we pass in our everyday lives who are filled with goodness and the ability to inspire goodness in us. We don’t see many of them because we judge them by their outward appearance and dismiss them. The poem is a tribute to those unseen people.

Abstract Cross by Mary Hillier

 

A fast way of painting by simply blocking in color or in this case the lack of it except for two bright blue squares.

 

Baptismal Font

Pink and green mansions sizzle
in Palm Beach’s white heat,
windows shuttered, lawns tended
by riff raff from the wrong side
of the Intracoastal Waterway.
Shaggy haired JilRoy Roco gazes
across Ocean Boulevard to padlocked gates
blocking beach belonging to these MIA rich
to the high tide line.
JilRoy figures beaches belong to God,
not these see and be seens who call
only to complain their shrubs
are cut too short or too tall,
who treat him like the Invisible Man
or Tonto trailing in Silver’s dust.

He tosses weed eater into truck, drives
north to the Palm Beach Public Beach
where, no longer invisible, so dark
against anemic rich tourist skin,
he saunters to the low tide line,
heads south into no-man’s land,
feet sinking into wet sand, waves
seeping over work boots.
Odysseus in a lawn cutter’s uniform.

I see him approach this end of God’s beach,
a shadow in the fading light.
Sand clings like sequins to his soaked pants.
His eyes are dewdrops; hair, seaweed.
I want to kiss him, draw him under
the pier, make love to courage.
Instead, I hand him my water bottle.
He pours it over his head.

Artist’s commentary:

This poem accurately describes the situation with ownership of the beaches over in Palm Beach. I used to bike weekly through that stretch of closed up mansions and rusted-shut gates and never saw anyone using the beach. Despite that, just to walk the beach would incur a fine. One day a friend of mine went to the public beach in Palm Beach at low tide and walked below the tide line those 13 miles south to ‘legal’ territory again. He became my personal hero for doing this. I made him into JilRoy because so many of the workers over there are dark skinned and invisible.

Green Flamingo by Mary Hillier

 

Love of that creatures elegant shape has me painting them over and over.

Dawn

He slips out of my dream,
eyes filled with moonlight,
and embraces me.
He’s young again, body mended
by the laughter of innocent children,
the scent of blossoming flowers.

If I open my eyes to cry happiness
onto his shoulder he will fade,
rejoin the invisible dead,
so I dream on, desperately,
until dawn breaks, taking him.

Artist’s commentary:

This poem was inspired by the death of someone close to me. So many times people who’ve died appear to me in dreams and I’m grateful when they do . I get to see them again and I don’t want that dream to end.

Face Drawing by Mary Hillier

 

Actual portrait drawn from a mask of my own face.

 

Every guest is a gift from God

One of the most remarkable things about large swaths of the non-western world from my distinctly western is the importance of hospitality, of honoring one’s guests and treating strangers as friends. I remember taking tea with countless Moroccans whom I know were unimpressed with me, but felt obligated by their culture to extend a simple kindness to a weary traveler. I remember a shoemaker in Nepal who offered advice and guidance to a wandering hiker who had lost his way. I remember a desk worker at a hostel in India who provided an exhausted man roaming the streets at 5 in the morning a bed to sleep in at no charge.

In this month’s issue of InTheFray, we feature three poems from Priscilla Campbell titled Shed for you. We hear about diversity and campus advocacy from LuzJennifer Martinez in her piece My L.I.F.E. story. Amy O’Laughlin also reviews The Tenth Parallel in Parallel lives.

It is my goal to learn something from these small acts of generosity shared with me by strangers, people who are much closer to the line between eating and not eating than I am and was. people who were surely aware of this and who helped anyway. It seems to me that at its essence, kindness, generosity, and hospitality are not virtues that are shared with others and thereby diminish ourselves, but rather acts that strengthen both the receiver and the giver. I try to remember this as I move through my days, helped along by the kindness of strangers.

I am a writer/editor turned web developer. I've served as both Editor-in-chief and Technical Developer of In The Fray Magazine over the past 5 years. I am gainfully employed, writing, editing and developing on the web for a small private college in Duluth, MN. I enjoy both silence and heavy metal, John Milton and Stephen King, sunrise and sunset. Like all of us, I contain multitudes.

 

My L.I.F.E. story

Joining the fight to promote diversity through campus advocacy

“Inhale inspiration/exhale wonder/remember Right Now is all you have/constantly ask yourself/How can I make this now/The best now it could possibly be.”

-Christopher Johnson, “All I have in life is right now”

On an overcast and drizzly morning in late March, I found myself back at my alma mater, sitting through a five-hour conference with a roomful of people I didn’t even know. Still, we ended up having much more in common than I could have ever imagined. Plus, it was our chance to motivate one another to keep fighting against the never-ending pestilence called discrimination.

At that point in time, all I wanted was answers. I wanted to know what was being done about one of the most common, overlooked, and worst forms of discrimination that could ever exist.

Like all good journeys, it was going to take some serious probing out there in the world, and inside of me, to get anywhere with this, as I would soon find out.

Making some noise

At first, I was looking for a large movement or an ongoing demonstration with the whole nine yards: megaphones and marches to rattle everyone awake in the neighborhoods, and large poster boards screaming, “Let’s end the war among brothers” or “It’s time to love the diversity in diversity.”

That fantasy was crushed once my disappointing two-hour Google search ended. Even though I did come across several blog entries and essays from other people who had gone through the same thing as I did or even worse, there was still nothing MAJOR being done about it.

So I set my sights on the next best thing: on-campus advocacy groups. I’ve always heard they were a good resource for students that want to get involved and be informed on social issues, and I knew just where to go.

It felt strange calling up the Unity Center at Rhode Island College since I never did when I was there as a student. Ironically enough, it was the first place that came to mind, and I figured it wouldn’t hurt to try.

As I dialed the number to speak with Director Antoinette Gomes, I wondered what I was getting myself into. But it was too late to back out once she answered the call.

I was nervous, but got to the point. “Good afternoon, my name is LuzJennifer Martinez. I’m a freelance writer and alumni of Rhode Island College. I was looking to see if there is a group, event, or movement that the Unity Center knows of that addresses the issue of intra-racism.”

“I’m sorry, what?”

My heart sank. Was she offended already? Who did I think I was, mentioning something so negative to the director of the Unity Center, a group which focuses on bringing people together, not on what keeps them apart?

I didn’t think the term would be so loud and full of such weight when I said it, but it was like a crack of thunder just outside the window.

“Intra-racism. When people within an ethnic group or race discriminate against each other.”

“Yes, we come across that issue a lot and although there aren’t any specific events or groups to address it, there are some things going on,” she said.

Oh! Her response wasn’t incredulous; she just hadn’t heard what I had said. As a matter of fact, she didn’t even sound angry; she seemed to be thinking about what I was telling her.

The following night, Gomes said they were going to be showing a Neo-African film about the new narrative of being African American.

She also told me the Unity Center holds a diversity week on-campus every October, which I remembered from when I was an undergrad. “There’s a student organization on campus called L.I.F.E., which stands for Live, Inspire, Fight, Educate. I can give you their contact information if you’d like,” she added.

A week later I dialed the number L.I.F.E President Mariama Kurbally had forwarded to me through email, feeling much more confident than before. She explained that while the organization focuses on diversity as a whole, it does consider “the different parts to it.”

There are aspects like race relations (or “brown” and “black” relationships), that make diversity far more than just a “black” or “white” issue. She agreed with Gomes by saying that in many of the discussions and events hosted by L.I.F.E., intra-racism is always mentioned.

“Next month, we’re having our Diversity is a way of L.I.F.E conference, where we host sessions rather than one big convention. We usually talk about gender oppression, defining racism and intra-racism, to give people the tools to deal with it,” she continued.

 

Kurbally said she would get in touch as soon as everything was worked out, and I couldn’t wait to find out more about it.

From writer to attendee

The next thing I knew, I was sitting at the first focus group planning meeting of the conference at the Rhode Island College Student Union with a pen and notepad handy. Aside from meeting both Kurbally and Gomes in person, I got a better sense of what L.I.F.E was all about.

The organization was founded by Kurbally in 2008 with the mission to “promote individual development and improve the overall quality of life in a multicultural community,” by “giving its members a holistic understanding of pertinent social issues, empowering individuals through education, increasing awareness, and striving to create strong leaders within our communities from various backgrounds.”

I also met some of L.I.F.E.’s other officers and supporters. There was Vice President Malinda Bridges, Secretary Sandra Chevalier, Anthony Bailey, one of the conference presenters, and lastly, an L.I.F.E. member and R.I.C. undergraduate student whom, if I’m not mistaken, I remember being called “Tunde.”

Everyone sat at a square table, discussing details of the event like what time one information session would be held over the other and which activities to include throughout the conference. Kurbally filled in a tentative schedule on the dry erase board in the room, while I scribbled away on my yellow notepad.

I also found out that there would be a full one- hour session exclusively about intra-racism and it was all I could do to stop myself from grinning pathetically at the paper in front of me. About 10 minutes later, Hannah Resseger, a local spoken word poet and Rhode Island College graduate, walked in with Christopher Johnson and his daughter.

Johnson, another spoken word artist, was scheduled to perform his poetry during the conference and the conversation shifted into how he would go about it within the available time frame. In the end, some of the details were still not finalized, and the discussion shifted on to how the conference would be announced to the public. But before that, Kurbally asked us for some feedback.

“Does anyone else have any input? How about you guys, did you have any questions?”

She was talking to those of us who hadn’t said a word up until that point, but the comment still caught me by surprise. When she looked at me, I shook my head and looked down at my yellow pad. I felt bad for seeming indifferent, but I didn’t want to interfere since this was their conference.

I thought my job was to reflect back on how the event would address an issue of diversity like intra-racism. Yet, seeing the interest in what I had to say made me realize this was going to be different.

It was going to take more than just note-taking and listening; I was going to have to put down my pen and paper and get involved.

Finding common ground in diversity

The conference was scheduled to begin at nine a.m. in the Alger Hall building on the Rhode Island College campus with a breakfast and check-in. I arrived at 10:30 a.m., promising myself not to write a single word down until after the event. Thinking I would be able to quietly slip in without being noticed, I found myself waiting outside the electronically locked door of the high-tech classroom everyone was gathered in.

While I stood there hoping for someone to notice me, I felt like a student who was late for class and had missed the most important part of the lecture. The feeling intensified when I plopped down into a blue chair to join the circle of about 35 people with name tags stuck to their shirts.

They weren’t all college students either. There was a mix of parents, working adult professionals, high school students, and even a couple of professors I recognized from around campus not too long ago.

Everyone was sharing their impressions about some images they had just seen on a large screen depicting acts of hate throughout history. It was part of the first presentation of the day, from Rhode Island College alum Anthony Bailey, called “Connecting to Difference.”

I had arrived just in time for the final interactive activity, which brought us all to our hands and knees. We had 10 minutes to write out our answers to 15 personal assessment questions on large poster size sheets in black marker.

After that, we were told to hang them up along the walls and boards of the spacious room. Once I got the separate ditto with the questions, I huddled down over the large paper on the floor.

By the time I looked up from my answers, most of the walls were already covered so I settled for one of the easels lined up on one side of the room.

Bailey surveyed the rows of papers with different handwriting taped to the wall.

When we finished, he said, “Now I want you all to go around and silently read the answers from as many other people as you can, except your own. When you read a statement or answer that you agree with, put a check mark and your initials next to it.”

We made our rounds, with everyone’s shoes shuffling slightly as we moved from paper to paper. You could hear muffled whispers buzzing in the air.

“Oops, sorry!”

“Here, you can read it now, I’m done.”

All along, I was preparing myself for the sight of my paper with nothing but the answers I had written. I eventually started focusing on the responses from the other posters and found some statements I related to.

I love GOD and my family, check, JM.

I like learning from other people, check, JM.

I want to make a difference in the world, check, JM.

Soon it was time to read our own papers again, and I was shocked to find a modest sprinkle of checks, initials, and even smiley faces on mine.

We all returned to our seats in the circle so Bailey could conclude his presentation.

“Even though we are all different, we harbor similarities, and that’s how we can connect to one another,” he said.

Memories, rhymes, and tears

James Montford, Director of the Bannister Art Gallery at Rhode Island College, was next in line to present a session. But before that, Hannah Resseger popped up out of her seat and made her way to the center of the circle to recite a poem.

She stood quiet for a second before hurling into an emotionally charged performance that answered the timeless question, “Who am I?” Throughout the introspective narrative, you could feel Resseger fighting as a performer and protagonist against the preconceived labels inflicted on her by others.

It perfectly depicted the inner turmoil of when you are told who you are as a person of a particular group or culture, even if you don’t relate to it. I sat enthralled, watching Resseger’s afflicted enunciations and animated expressions as she jumped from identity to identity in despair, anger, and resignation.

All the while, I re-lived the indirect accusations of how I was neither American enough to pursue my independent ventures nor Puerto Rican enough to be passionate about what was rightfully mine.

I bit my lip but couldn’t stop my eyes from welling over. Montford sat almost directly across from me on the other side of the circle and his face blurred for several seconds.

I looked away in embarrassment, feeling surprised and frustrated I had reacted that way. But I wasn’t the only one who would be emotionally moved at the conference.

Montford’s “When You Feel Difference” session began with some group sharing. To the people who were sitting to his right, he said, “I want you to tell us your earliest memory of when you first felt different.”

A Hispanic teen described how when he was little and newly arrived from his country of origin, he sat in class one day feeling very sick and was unable to tell the teacher in time because of the language barrier.

When it was her turn to speak, a young Latina woman started describing something about her childhood but was so soft-spoken I couldn’t hear her.

As soon as she shared her memory, she burst into tears and remained visibly upset for about five minutes. I couldn’t stop looking at her, and wondered what it was that had affected her so much throughout her life.

When there were about 4 people ahead of me to speak, Montford reversed the directions of the activity. He asked the people sitting to his left and on to describe their most recent memory of when they felt different.

A young couple next to me said they felt different being the only ones married among their peers. Just a couple of chairs to my left, Christopher Johnson replied that he didn’t really have an example of recently feeling different because he has always considered himself to be so.

“I think that if I didn’t feel different, I wouldn’t feel right. Who wants to be all the same? I like being unique and being me,” he said.

Jay Chattelle, another spoken word artist who runs the Rhode Island Poets (RIP) venue with Johnson shared another perspective with the group. He said being at the conference was his most recent experience of feeling different because he couldn’t relate to everyone else’s perceptions on what difference was all about.

In a response to an email that I sent him after the conference, Chattelle gave some more insight as to what he meant by his comments that day.

“Being different to me is recognizing we are all the same. With everyone’s erg (sic) to be different and stand out, it’s a shame when we are the ones not taking responsibility for our actions. We are the ones that have to make change and we should start with ourselves,” he said.

At the conference, Rhode Island College Professor of Anthropology Carolyn Fluehr-Lobban also made a good point. She said we were taking action by simply being there to educate ourselves to be aware of diversity in our lives, as well as by learning from others and sharing our experiences.

“We are taking the time to be here and address it,” she said.

The power of words

After lunch, everyone settled in for some more poetry, this time from Christopher Johnson. As soon as he started, I couldn’t believe how fast he recited the intricate lines and wondered if he was free styling or had written it all down before hand.

He performed about 5 poems that all flowed beautifully to create different sentiments and tones. One of them called “Two angels” had a strong walk-a-mile-in-their-shoes effect and another one called “All I have in life is right now” was full of some refreshing philosophical insight. Of all the poems, the second one spoke directly to me the most, especially about discrimination and how to approach it:

“A friend of mine once told me/”there are a plethora of personality types in the world/One fact of life/meeting assholes is unavoidable”/Assholes have one purpose, to shit/they will shit on you with no regard simply because that’s who they are/But an asshole is positioned low on the body/meaning you have to be lower than an asshole to be shit on by one/so the trick to avoid being shit on/ is to never allow yourself to be lower than the asshole…”

As the words flung out of Johnson toward the audience, the message hit me in the face like a cup of cold water. Of course! The key to attacking discrimination is to remain above it so it can never attack you. What the poem said to me was that nothing would ever be solved if you allow yourself to be “lower than the asshole” by either discriminating back or being submissive to it.

And sadly, the problem will always be around since we are bound to encounter assholes, as Johnson said. But we can make the most of now by deciding to stand up and fight against it through awareness and empowerment. The poetic explosion continued with Resseger, who recited another poem called “Matriarch.”

Again, her interpretation had a theatrical element to it, where Resseger took on the burden and pain of the protagonist and channeled it through every word and line. It was the perfect segue into the next presentation from Rhode Island College Psychologist Dr. Saeromi Kim, where we got to tap into the root of our feelings about bias and discrimination and how we react to it.

The majority of Dr. Kim’s “Emotions” session not only made us aware of the different feelings we encounter during moments of conflict or prejudice, it gave us an idea of the triggers which can bring them to life.

Kim even took it a step further by making us aware of the internal biases we harbor within ourselves and how they develop. We participated in an exercise called “both/and,” where we referred to one personal characteristic and then acknowledged its opposite or conflicting pair through a sentence.

Kim explained how that can keep you from focusing solely on one aspect of yourself, which eventually causes you to discriminate against the other. She wrote out an example in dark red ink on an easel.

“I am both ashamed of the privilege I’ve had when I was growing up and proud of what I accomplished on my own,” she said.

Soon after Kim insightful presentation, we all got into an interesting discussion lead by Anthony Bailey about “understanding privilege.” By then, the group had shrunk considerably, which only made the conversation more intimate and candid. We discussed what the term ‘privilege’ means and eventually concluded it all depends on how you look at it.

The concept can either have a positive or negative connotation to it, which, therefore, makes it a diverse and complex issue in itself.

Speaking out

It was just after two p.m. when it finally sunk in just how long we had been there. My eyes were getting pierced by the artificial brightness in the room and my legs hurt from crossing them so much.

And when would the intra-racism session start? While we were waiting for the next presentation, I tapped Bailey on the shoulder and asked him.

“We may not get to it since the speaker had a timing conflict and couldn’t make it,” he said.

I felt deflated but somehow didn’t lose hope that at any moment, the presenter would get there. I stayed hopeful during Dr. Maria Lawrence’s beautiful Native American style prayer, which celebrated diversity and asked for it to thrive and prosper.

The reality finally set in that the intra-racism session was a no-go when Dr. Lesley Bogad arrived in time to give the last presentation of the day about “Identities across differences.”

She was joined by two student representatives from the Advanced Learning and Leadership Initiative for Educational Diversity (A.L.L.I.E.D), a one credit class at R.I.C. dedicated to motivating students from underrepresented groups to pursue educational careers.

During the presentation, they talked about how A.L.L.I.E.D. also provides academic and cultural support to students so they can become teachers. As much as I didn’t want to, I had to go home in the middle of the session to prepare for an out of state trip I had the next day.

I shut the door behind me, leaving the small group clustered in front of a large screen with terms and phrases. That day, they taught me it doesn’t take a multitude of people causing a commotion through big demonstrations to make change; change can happen when we decide to expand our own knowledge on a cause and pass it on to the next person.

The conference also showcased the power and validity of on-campus groups like L.I.F.E., which are committed to heightening people’s awareness of diversity while encouraging them to celebrate it. Most of all, attending the conference really put into perspective for me my experience as an ethnic American who has dealt with intra-racism.

One time I was called the "quiet Puerto Rican," a seemingly innocent label that can be a precursor to a million other silent accusations. I’m the snobby one who would rather listen to alternative rock instead of Reggaeton, read a book than cook a meal, and speak English instead of Spanish.

The truth is I grew up listening to salsa, speaking Spanglish (a mixture of English and Spanish), and living off of my mother’s delicious ethnic cooking. So what exactly made me less Puerto Rican than the rest? Is it because I don’t live up to every expectation of what being a Puerto Rican woman is?

On the other hand, not everyone is like this. I’ve recently met people of my race while working for the Spanish press who are not so critical. They notice my accented Spanish but appreciate the fact that I’m trying. They understand the language barrier, reassuring me that I speak Spanish much better than they speak English.

Most importantly, they accept me as one of their own and encourage me to always embrace my Hispanic identity. And I have been doing that, just in my own way. If there was anything the conference also taught me, it was to never allow the indirect criticism from others to make me question my identity as an ethnic American.

No matter what, I am Latina and always will be Latina, and as long as I know that, it doesn’t matter what others think. As an advocate for diversity, I shouldn’t perpetuate the cycle of discrimination by being hateful toward people of my race. I love my culture and there’s no reason for me to be hostile to anyone regardless of what some people have done to me.

Just like everything in life, there are always going to be critics who question who you are; it’s just a matter of turning negative energy into positive motivation to make the world better with the little bit of knowledge that you have.

It won’t happen overnight and it won’t be easy, but I am committed to taking action. And thanks to the L.I.F.E. organization and those who attended the conference, I now know I am definitely not alone.

 

Parallel Lives

Journalist Eliza Griswold circles the globe to explore the ancient feud between Christianity and Islam.

In terms of geography, the tenth parallel is simply the circle of latitude that girdles planet Earth seven hundred miles north of the equator. But in journalist Eliza Griswold’s new book, it is a “faith-based fault line” that encompasses some of the world’s hottest religious hot spots — Nigeria, Sudan, and Somalia in Africa, and Indonesia, Malaysia, and the Philippines in Southeast Asia — and serves as a vehicle for her to explore the complicated and centuries-old conflict between Christianity and Islam.

Griswold got her inspiration for The Tenth Parallel during a visit in 2003 to Khartoum, Sudan, with evangelist Franklin Graham, the eldest son of influential preacher Billy Graham and personal pastor to George W. Bush. After the September 11 terrorist attacks, Franklin Graham had denounced Islam as “evil” and “wicked” and declared that Muslims are enslaved by their religion. “Vilified by Muslims worldwide” for these statements, Graham, undaunted, saw this trip — his first to northern Sudan — as a golden opportunity to evangelize Muslim-dominated Khartoum.

At the time, the Sudanese government of President Omar Hassan al-Bashir was carrying out a murderous jihad against both Christians and Muslims in southern Sudan, and would soon perpetrate genocide in the western region of Darfur. Despite this bloodshed, Griswold says, Bashir hoped that a face-to-face with Graham, America’s most powerful evangelist, would “curry favor with Washington” and encourage the US to lift economic sanctions on Sudan. Griswold writes:

In Bashir’s palace’s sepulchral marble reception room, the two men argued pointedly over who could convert whom. Each adhered to a very different worldview: theirs were opposing fundamentalisms based on the belief that there was one — and only one — way to believe in God. At the same time, their religious politics spilled over into a fight between cultures, and represented the way in which the world’s Muslims and the West have come to misunderstand each other. Being a witness to this conversation was like watching emissaries from two different civilizations square off over a plate of pistachios.

Soon afterward, I started to travel in the band between the equator and the tenth parallel …. I wanted to see how Christianity and Islam are actually lived every day by huge numbers of vulnerable, marginal believers — individuals who are also part of the global story of poverty, development strategy, climate-change forecasts, and so on …. I wanted to go … where wars in the name of religion are not Internet media campaigns to “control a narrative” but actual wars fought from village to village and street corner to street corner. Most of all, I wanted to record the interwoven stories of those who inhabit this territory, and whose religious beliefs pattern their daily perseverance.

Among those whose stories Griswold records is Archbishop Peter Akinola, head of the Anglican Church of Nigeria and leader of eighteen million Anglicans. Stopping the threat that Islam poses to Christianity is his life’s work. And yet recently Akinola has also taken an antagonistic view of the “profligate West” and “liberal Western Christians,” who he believes have forsaken biblical faith and left “African Christians, already in peril among Muslims, to defend themselves against the sins of the West.” In Akinola’s view, Griswold explains, “the relationship between liberal Protestants and Islam is straightforward: if Western Christians abandon conservative morals, then the global Church will be weakened in its struggle against Islam.”

“When you have [an attack on Christians], and there are no arrests,” Akinola tells Griswold, ”Christians become dhimmi, the status within Islam that allows Christians and Jews to be seen as second-class citizens. You are subject to the Muslims. You have no rights … I’m not out to combat anybody. I’m only doing what the Holy Spirit tells me to do. I’m living my faith, practicing and preaching that Jesus Christ is the one and only way to God …. [But] I’ve said it before: let no Muslim think they have the monopoly on violence.”

In Indonesia, Griswold seeks out Ibnu Ahmad, a member of Indonesia’s terrorist organization Jemaah Islamiyah (JI), the Al Qaeda-connected group responsible for the bombings in Bali in 2002. Lately, however, disagreements over the definition of jihad — namely, whether or not holy war sanctions the killing of civilians — have caused divisions among JI militants.

“Although no one in JI liked to admit it,” Griswold notes, “their bombings generally killed innocent bystanders: fellow Muslims, not enemies of Islam. Ibnu Ahmad opposed the killing of fellow Muslims as a way of spreading radical Islam. In theory, he was intent on returning to the seventh-century way of life, dress, and devotion practiced by the Salafs, the first three generations of the [Prophet Muhammad’s] followers.”

The rift over jihad plays out in Ahmad’s own family. Salahuddin, his younger brother, believes that anyone who does not “espouse all-out war in the name of Islam [is] a kafir, an unbeliever, and every unbeliever must be killed” — including Ibnu Ahmad.

Crafting an unflinching, straightforward account of the tensions and turmoil on the tenth parallel is no easy feat — especially when contemplating more than two millennia of religious history and centuries of geopolitical misadventures. But in The Tenth Parallel, Griswold demonstrates an exceptional understanding of the conflict’s dimensions and succeeds in unraveling its hydra-headed nature. She also provides superbly concise portraits of the religious moderates and hard-liners, would-be reformers, missionaries, jihadis, and militants who have a stake in the conflict. “Geography [is] religious destiny,” Griswold points out — and nowhere is that more true than on the tenth parallel.

Update, August 3, 2013: Edited and moved story from our old site to the current one.

Amy O’Loughlin is a freelance writer and book reviewer whose work has appeared in American HistoryWorld War IIForeWord ReviewsUSARiseUp, and other publications. She blogs at Off the Bookshelf.

personal stories. global issues.