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Recovering from trauma

Our pain, and how we bear it, defines us. It is only through suffering that we can appreciate joy, and it is only during times of duress that we can know how strong we are. Trauma alone can tell us if we will break under the stress, or if we will persevere to thrive during better times. As spring spreads across the land, I see physical evidence of nature’s power of perseverance in the flowers that bloom and the leaves that burst forth after the long, cold winter. In this issue, we look at the power of human resilience.

We begin with Stephanie Yao’s stunning visual essay Afghanistan, which reveals a strong people struggling to move beyond their war-torn past. Accompanying these images is Angie Chuang’s essay Life after the theocracy, which highlights two university professors’ memories of life in Kabul, Afghanistan before the Taliban.

Next, we look at the trauma that individuals inflict upon themselves. In 1999, journalist Ted Conover wrote the book Newjack about his experiences as a guard at New York’s infamous Sing Sing prison. This project required Conover, a normally reserved and peaceful person, to adopt the persona of a hardened corrections officer. In his story Crossing the line, Rafael Enrique Valero explores how much of his true self Conover was forced to repress and the effects this experience continues to have on his psyche.

Another repressed trauma is the collective wounds of the legacy of slavery. Barack Obama’s historic presidential run has brought the simmering issue of racial tension to the forefront of popular culture and has prompted the art world to ask whether art created by African Americans is “black art.” Michael Miller explores the debate in his article Is it black art, or just plain art?

The best way to overcome the past may be to look to the future. This is the thinking in the 20 states that allow 17-year-olds to participate in the primary process, as long as they will be eligible to vote in the fall. In Should 17-year-olds vote in the primaries?, Jane Wolkowicz considers both sides of the issue, including the first-hand experiences of a 17-year-old who participated in Minnesota’s Republican Caucus in February.

Courtney J. Campbell takes us away from the democratic process and shares five poems that explore the love, loss, and life in Brazil. Accompanying her poems are photos that evoke a strong sense of place, lending her verse a visceral power.

And last but never least, our books editor Amy Brozio-Andrews has reviewed Alison Larkin‘s novel The English American, which considers a British woman’s struggle to reconcile her American roots when she reconnects with her biological parents.

Aaron Richner
Editor
St. Paul, Minnesota

I am a writer/editor turned web developer. I've served as both Editor-in-chief and Technical Developer of In The Fray Magazine over the past 5 years. I am gainfully employed, writing, editing and developing on the web for a small private college in Duluth, MN. I enjoy both silence and heavy metal, John Milton and Stephen King, sunrise and sunset. Like all of us, I contain multitudes.

 

InTheFray LIVE! — A benefit for InTheFray.org on May 6

Please join us for InTheFray Live! — a benefit for InTheFray.org!

InTheFray is an online magazine with commentary, images, and literature that inspire conversations about identity and community. The benefit reading and performance will include essays, poetry, and more read by InTheFray contributors and friends: Sarah Seltzer, Meera Subramanian, Rachel Van Thyn, Aimee Walker, Daniel Wolff, and surprise guests!

Date: May 6, 7-9 p.m.

Location: Parkside Lounge, 317 East Houston Street between Ave. B and C (at Attorney street). F train to 2nd Avenue.

Suggested Donation: $10

Check inthefray.org/benefit for updates. For more information about the magazine, go to inthefray.org. 

Daniel Wolff, besides being a long-term member of the advisory committee for InTheFray, is a Grammy-nominated music writer with poetry published in mags from The Paris Review to The Aquarian Weekly, nonfiction that includes his last book, Born to Run: The Unseen Photos, and a producer’s credit on an ongoing documentary film project about New Orleans directed by Jonathan Demme.

Andrew Blackwell is a Canadian American editor, director, and writer whose work has been broadcast on PBS, NPR, and various places internationally. While living in Colombia he was editor and consulting producer of the documentary La Sierra, about paramilitary gangs in Medellín. He is also a member of the Board of Directors for InTheFray. He lives in New York City.

Sarah Seltzer is a freelance writer based in New York City. In addition to InTheFray, her work has appeared in Bitch, the Los Angeles Times, Venus Zine, and more. She pens a weekly column on pop culture for RH Reality Check, a reproductive justice website, and is a regular book reviewer for Publishers Weekly.

Meera Subramanian lives in Brooklyn and writes about culture and the environment for InTheFray, The New York Times, Salon, Audubon, Grist, and others. She is currently working on a book about the peregrine falcons of New York City.

Aimee Walker is a New York City-based poet and Vice President of the Board of Directors for InTheFray. Her work has appeared or is forthcoming in The Paris Review, Heliotrope, Rattapallax, and the Grolier Poetry Prize anthology. She has received scholarships and grants from the Provincetown Fine Arts Work Center and the Astraea Lesbian Writers Fund.

Rachel Van Thyn is a not-so-recent transplant from Toronto, Canada, by way of Montreal. She currently works for AVODAH: The Jewish Service Corps — a nonprofit that runs a service corps program for young Jews in their 20s, that combines social justice work and Jewish study. Rachel lives in Brooklyn and enjoys reading, writing, doing ballet, pretending to bake, and walking goats at harvest festivals in Red Hook. She is thankful for her friends and family, as well as InTheFray.

Please help us by spreading the word. Thanks for your support!

 

Education in Philadelphia

The youth are only one aspect of Philadelphia’s growing problem in violence. A week ago, a cab driver from Germantown was shot in broad daylight and killed. Public transit stories have also resulted in bloodshed. On March 28th, Sean Conroy, 36, died following a confrontation with a group of teens at the Septa Market Frankford stop. His attackers mercilessly punched him until he was knocked unconscious. Later, when police pronounced him dead, they discovered he only had $36 in his wallet. The violence in Philadelphia has brought the city nicknamed the City of Brotherly Love down to its knees. For the visitors and workers that commute to Philadelphia on a daily or even weekly basis, the potential for violence has left people to wonder…when will it change? 

What can we do to fix the problem? Residents of Philadelphia blame the problem on the youth. The number of dropouts in Philadelphia has been rising steadily, and residents fear the youth who loiter. And no one says what they’re really thinking. Does he want to attack me?  The community of Philadelphia used to be a friendly one. The sirens wail, throughout the day and night, and the sound is so familiar, so commonplace in this city, that no one reacts.

Sometimes, we need a reaction.

 

My body, myself

I finally did it. I lost 30 pounds, and for the first time in my life I could wear skinny jeans and crop tops. I had been working for what felt like an eternity to become a person who could feel comfortable doing normal things like swimming or running. I would no longer have to hide bulging thighs and I wouldn’t have to be embarrassed about eating in public. I felt strong and powerful, so then why wasn’t I happy? Everything I read told me that eating healthy and exercising would give me more energy and passion for life. The experts couldn’t all be wrong. So I kept wondering, was there something wrong with me?

My body felt good, really good, like I had burned off all of the toxins that had built up over years and years of being overweight. But I wasn’t happy with the person I had become, with the life that I was now living. Nothing about it gave me energy or passion. Those bland vegetable dinners that I cooked for myself each night began to make my eye twitch, and the growling that rumbled from my stomach in the morning told me of that something was missing.

After many months of diligently rationing and portioning my food, my mind suddenly slowed. It was clogged by way too many rules and not enough living. There was no longer room for any thoughts that weren’t based on calories and nutritional value, and all of a sudden, a strange sense of calm overcame me. I found myself placing a small piece of dairy-free, sugar-free chocolate onto my tongue. Oh it tasted so good, but it felt so bad. I couldn’t take it anymore. I wanted the old me back.

A million bites later, I am a woman who can’t wear skinny jeans. I am a woman who eats dessert, a woman who likes avocados, nuts, and other healthy, fattening foods, but this time I like myself, too. My body treats me well, so I try to go easy on her. I give her what she craves, and more often than not, I find myself voluntarily feeding her large quantities of fruits and veggies. After all that I have put her through, I finally trust that my body knows what she is doing.

As my weight anniversary comes and goes and I realize that I have put back on the 30 pounds that I lost, I feel like I have gained a lot more in the last three years than just weight. I have gained freedom and balance. My healthy habits stuck with me, but now I actually enjoy playing a game of tennis or riding my bike to the grocery store. My vegetable dinners are sweet and filling, and they don’t make me cringe because I can choose not to eat them. It only took 30 pounds both coming and going to show me that I liked who I was all along.

You can find more personal narratives by Chiki Davis at scratchandburn.com.

                                                       

 

Is it or isn’t it?

I was riding the 1 train downtown when I spotted a familiar face across the aisle.

He had that air of someone you vaguely remember but haven’t seen in ages. I scanned all of the places I could have met a partially bald, slight man with salt-and-pepper beard: work, coffee shop, library.

Then a name popped into my head. Barry. Barry Lewis! Not exactly an A-list celebrity, I know, but in New York he’s well known for his PBS series, “A Walk Around…” As in “A Walk Around Brooklyn” or “A Walk Around Harlem.” He takes you to places of interest and gives you nuggets of social, political and architectural history with such enthusiasm, I dare you to turn the program off. And here he was on the same train.

I have spotted a few honest-to-God celebrities while riding the subway. Michael Imperioli of The Sopranos and Steve Buscemi come to mind. Steve Buscemi has, shall we say, such a unique look about him that you’re not left wondering if that was really him or just his doppelganger. Because the more I looked (okay, stared) at Barry Lewis, the more I doubted my first judgment.

(My best celebrity sighting hands down was Harrison Ford in the Village. He was heading east on Houston; I was heading west. I turned to search for him in the crowd but he was gone. Like two ships passing in the night. Oh, Han!)

When I got off the train at Chambers to transfer to the 2/3 heading to Brooklyn, Barry stayed on the 1, which terminates in a few stops at South Ferry. Now I truly second-guessed myself. He’s going to Staten Island? That seems crazy.

Robert Lanham has a funny essay in The Subway Chronicles book called Straphanger Doppelganger in which he seeks out his look-alike after numerous friends have mistaken his doppelganger for him. Lanham points out, “According to mythology, a doppelganger is the living incarnation of a person’s dark side. Their shadowy opposite.” Maybe this person who sat across from me was Barry Lewis’s double: a Staten Island-bound, insurance adjuster who didn’t know or care about the difference between Central Park and Bryant Park. Lanham goes on to say that coming to terms with the existence of our nonbiological twin is part of living in New York. In a city this size, everyone is bound to have one.

As if to prove the truth in that statement, today I sat next to an elderly black woman on the commute to work. I might not have noticed her except that she scooted over and motioned for me to sit. She had a calmness and elegance that reminded me of my high school English teacher, Mrs. Sutton. Everything about Mrs. Sutton was grace personified. Her reputation was one of toughness and an unwillingness to compromise. For us seniors, there would be no easy “A”. She wasn’t our friend or confidant; she didn’t stand at the front of the class to entertain us. And I loved her for it. Mrs. Sutton was a big part of the reason I decided to major in English. Lately, another opportunity to second-guess myself.

In the creative arts, one of the few professional tracks where there is a high likelihood that you will never be able to support yourself in your chosen field, it’s easy to doubt your choices and your ability. Maybe doppelgangers don’t always stem from the dark side, the Darth Vaders of the Force. Maybe they appear in order to remind us of someone or something we’d lost track of along the way, giving us an opportunity to reconnect with that part of ourselves we had misgivings about.