November 2008 issue. Propaganda and the media

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Their own Sankofa PDF Print Email
200711_interact2.jpgGhana woos its black diaspora.
By Belton-Martell Mickle / New York
NYU LIVEWIRE
Sunday, November 4, 2007

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uthor Belton-Martell Mickle
 

When most Americans start looking for their roots, they probably begin by leafing through family photographs or talking with family members. But black Americans are reefed intricately between a montage of history books and countless unanswered questions.

As a descendent of African slaves and white Europeans, the disconnect of my roots comes full circle on the sand where I’m standing now: in Elmina, Ghana. I’m sweating, thinking of ancestors who 400 years ago were so violently deracinated from their homes and scattered around the world. Anger and sadness play tug-of-war for my unknown relatives in Cuba, Haiti, and Brazil.

But the winds of the Atlantic comfort me. I exhale, and release all the horror of past transgressions. It is only through this journey home that I can find peace. It’s my own Sankofa. That’s the word in the local Twi language for going back to your roots.

African Americans like me pilgrimage to Africa each year, hoping to bring closure to our tumultuous past. So many tourists and new permanent residents have arrived that Ghana has developed special outlets to welcome us.
“Our people really have no clue as to what Africa really has to offer,” said Jerome Thompson, 64, president of Ghana’s African-American Association. Johnson, who once lived in Fort Washington, Maryland, said he decided to move to Ghana after he discovered, during visits with his church, how culturally rich the country was. “If African Americans come over with their knowledge, patience, expertise, and work together with the Ghanaians, there’s nothing that they won’t be able to obtain here that they couldn’t do in America,” he added.

Noticing the diaspora connection with Africa, Ghana’s Ministry of Tourism and Diaspora Relations created the Joseph Project to build upon pan-African foundations in the spirit of American civil rights leader W.E.B. DuBois, who took Ghanaian citizenship, and Ghana’s independence leader and first president, Kwame Nkrumah. The project’s primary goal is to celebrate Ghana’s 50 years of independence, and to use 400 years of slave trade, colonial exploitation, and cultural economic strife as a springboard for Africa to reunite with the African diaspora.

“The diasporans are such an important part of African development,” said E.V. Hagan, the tourism ministry’s director of research statistics. “The Joseph Project is the perfect outlet for diasporans and Africans to reconcile their pasts to build a positive future.”

Capitalizing on Ghana’s appeal to African Americans also seems a perfect vehicle for promoting economic development. Some 5,000 African Americans are said to be living in Ghana.

“The AU [African Union] fervently wants to make the Diaspora a sixth region of Africa,” said Dr. Erieka Bennett, founder of the new Diaspora African Forum in Accra.

There are even plans to introduce a diasporan visa, a lifetime visa for those with African roots.
The beautiful plush landscape and black cosmopolitan feel of Accra seems to make the transition easier. And the Ghanaian community embraces the diasporans warmly.

“I feel elated that my brothers and sisters are coming back to Africa,” said Eric Nortey, 30, a Ghanaian who lives in Accra. “Black Americans are my favorites. They are intermediates between black and white. They are finally coming back to build upon the civilization that they were stolen from.”

Despite 400 years of slave trade, 210 million African lives lost, and a complete disconnect from cultural identity, the African spirit has proven resilient. As I peer into the night sky and reflect upon my experience here, something in the distance catches my eye. It’s a curious celestial phenomenon, on a canvas of green, yellow, and red: the Black Star of Ghana. The star is a symbol of hope and life — perhaps a sign to diasporans of our connection to our beautiful Mother Afrika.

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I thank you for this piece you have wrote brother. An increasing amount of people are writing on this subject and unlike you have chosen to dwell on the differences that our community's have faced towards each other.

It is clear that there are those who still wish to perpetuate our plight by discouraging us to come home. I presently live in Ghana and have been here for nearly 3years and i have been writing a blog for all to read and study. I invite you to read it and email me personally thank you once again.

Will Muhammad
Will Muhammad | November 24, 2007 | url
For more current ongoing information
0
I thank you for this piece you have wrote brother. An increasing amount of people are writing on this subject and unlike you have chosen to dwell on the differences that our community's have faced towards each other.

It is clear that there are those who still wish to perpetuate our plight by discouraging us to come home. I presently live in Ghana and have been here for nearly 3years and i have been writing a blog for all to read and study. I invite you to read it and email me personally thank you once again.

Will Muhammad
Will Muhammad | November 24, 2007 | url
Rosy picture is much more complicated
1001
Mickle's nearly mythical characterization of the African Diaspora fails to mention some of the very real disjunctures between black Africans and black Americans. Although both groups have been oppressed by systems of white racism, they each have experienced them in different ways in different historical and social contexts. Moreover, issues of conflict regarding class, culture, religion and language, among other things, are conspicuously absent. Processes of globalization have exported African American culture, most significantly, hip-hop, throughout the world and with it triumphant narratives of "Mother Afrika" and other romanticized, homogenizing notions of transnational black unity. Our generation - the hip-hop generation - must learn from the blindnesses of our elders' black nationalism(s). Obscuring the differences that structure our various experiences as black people - gender, sexuality, class, etc - is a danger we must shy away from.
Robert Smith III | November 5, 2007

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