All posts by Ashish Mehta

 

Aliens

“On with you, go on, go on,” he said.

Usually when one leaves a city for another, sheds a life and a skin for another, one turns one’s attention to what one must take along, rather than understanding what one must not leave behind. Father and I came to this city quietly, naked to the bone, to the recesses of our souls, though we didn’t know it. The aircraft that carried us landed lightly upon a long dark runway, and stopped. We were empty, vessels within a vessel. As we disembarked, set our feet firmly upon the dusty soil of this city, I remember thinking: This city is strange. I don’t belong here. I was seven at the time, and, without a doubt, was given to reason with that characteristically complex though effortless ease — the city was unfamiliar, strange, and I thought each step of mine an intrusion.

I now believe there were several reasons I felt the way I did. New Delhi summers are hot, and we arrived in the middle of June from wherever it was that we came. I was a child of winter, and in nail-biting cold, felt alive. I loved to resist winter’s icy offensive, its assault upon my being. I’d fight the cold because I could and because it made me feel brave, understood, even relevant. But now, the summer wind that accosted us as we hurried away from the craft was this strange city’s restraint, its displeasure; the harsh gust expected resignation, not a fight. New Delhi didn’t want us. We were flayed, the sun glared contemptuously and cracked open giant eggs of sweat upon our heads. I felt unwelcome, wanted to return to the craft, but Father gently pushed me into the departure terminal, mopping his forehead with a small, insufficient handkerchief. “On with you,” he said, “Go on, go on.”

On we went, till we stood before a conveyor belt that slowly whirred past while a bunch of us stood in a huddle, waiting. Father, too, at the time, contributed to my (our) situation. “On with you,” he’d said, while he reeked of that alcohol that so reminded me of wherever it was from which we came. Every inch of his body, more correctly his being, seemed to be absent, left behind at the place which was the very source of us. Our presence at that airport seemed to be so steeped in absence that we must’ve been invisible — someone lunged for their luggage, and I was thrown aside. Father didn’t notice.

“Why do people rush? It’s not like the luggage is going anywhere,” I said, mildly bruised.

Father continued to stare at the belt, through the belt, at something distinct and imperceptible. I repeated myself, and he finally looked at me, through me, and spoke.
“One place to the next, that’s the way it is.”

As the wait prolonged (there was a problem with one of the luggage transportation carts), I thought Father might turn into stone. He stood so very, very still, his glance unwavering, like a statue erected in fond memory of himself — my father who once was, and now, strangely, wasn’t.

I gave in, as I often did, to reminiscing. I felt there was a library where memories went and were classified, and when one summoned, an appropriate one was sent along. Perhaps a stern librarian sat behind some giant wooden desk trembling beneath piles of memory retrieval applications. As luck would have it, that particular day, standing by the conveyor belt, I was not fortunate (the librarian must’ve been overworked). In a jolt, a flash, I was back where I came from, back on the streets of a lost city that was cold and lightless, my home. I was walking back from school, whistling to myself as it were, and upon turning a corner found myself surrounded by a horde of hooligans.

“Take off your clothes,” one of them said. He was large and filthy, looked singularly mad.

“Why?” I asked. “It is cold.”

“We’re feeling cold too,” he sang, and smiling, punched me in the face. I fell to the ground; my nose broke upon the pavement. A narrow stream of blood found its way down my face, and soon, a patch of ice on the street turned a pinkish red. No one moved for a few moments. It was as if we were all waiting to measure how much I’d bleed, how much blood, how much warmth, I had in me to lose.

Then I rose. “All right,” I said, removing my cap. As I peeled off my clothes, the hooligans claimed them and scattered, shouting, hooting, even whistling the tune I’d been whistling a few moments past.

I sat down on the bloody ice. I was naked and much too cold to move. Too cold even to cry.

The memory passed, and I found I was breathing harder. I turned my attention, once again, to the conveyor belt as it whirred and chugged on by. I hadn’t cried since that day, as though the cold of that nightmarish nakedness had then and for all time thereafter frozen the pools from where tears drop. Had my blood been turned to ice?

“I like the cold,” I told Father. “Delhi is too hot.”

He looked at me (through me) once again.

“Don’t worry, beta,” he said. “Delhi has its winter months too, around four in a year.”

I looked away. Maybe adults didn’t understand anything. No, they didn’t. Who was to decide who understood what? I was troubled by this question, confused, afraid to attempt to understand anything for I might misunderstand. That day was instilled in me a fear of comprehension.

“You’re seven,” said Father, when I spoke to him of this fear.

Our luggage arrived and we lunged for it with controlled hurry.

Soon we were in a cab (a black and yellow taxi), speeding away from the airport. Father sat beside me in the backseat, and stared out of the window as the city underwent an unending metamorphosis occasioned by our passage. I took to appraising him and I am now thankful for that decision — the vision of my father that day as he sat and surveyed this city is the memory of him I carry most distinctly, most clearly, even today. His shoulders were hunched, his handsome face only just beginning to show the signs of weariness. His large brown eyes were concealed behind thick, horn-rimmed spectacles, and his wide intelligent wrinkled forehead was lined with sweat. It was as if he was a glacier, beginning to melt, just then — a slow meltdown of age and heat and disorientation, and with each successive kilometer of our descent into this new world, he seemed to bite his lip harder, though he was never going to cry. Past him, I saw through the window odd bungalows and multiplexes and dust rising in spirals upon hordes of people. At red lights, beggars came and beat their fists, clanged their bangles, blessed and cursed us.

“Where are we going?” I asked him, desperate for some distinct emotion, as the biting of the lip I didn’t understand.

“To our new home.”

“Is it big?” Our earlier apartment had been big. It had grown bigger once my mother died.

“It’s big enough, yes.”

Settling in was not difficult — we barely had any luggage. It was true that the apartment was big enough, but it would be truer to say that our existences were unquestionably small, compact. The apartment was on the second floor of someone’s home, and had a bedroom with an attached bathroom, plus a drawing-dining-kitchen and no balcony. It took us about an hour to empty our suitcases.

Then, we slept, and in that sleeping waking dream, three years passed: I found myself enrolled at a school and found that I had friends. I saw myself smiling when I looked at my reflection, and soon, I began to find that summer was an added joy, and so was monsoon, so was spring, so was autumn. Soon I forgot that I ever was born in another city, that I ever had a mother. I forgot what she looked like, whether she smoked and drank the same alcohol as Father, whether she smelled nice. I found that I had cousins and aunts and uncles here, I felt as though I’d always lived here. I was wrapped and swept away in a tide of wanting to belong and then actually belonging and I unearthed, in some illusory, childish sense, a sort of happiness. All this while, Father walked beside me, behind me, in front of me, always a shadow that stretched around me, now grew, now collapsed toward me. When the thought of his loneliness hit home, I stopped to look at him. He was still the man he was in the black and yellow taxi, but further away from me, veiled in a darkness that was perhaps my happiness. But then I thought: Can one ever shed light upon a shadow?

The day after my 10th birthday, he moved me into my aunt’s home, and then disappeared.

I never saw him again.

Till this day, more than a few decades after the events I have just described, people speak to me of desertion, abandonment — a big word, an unforgivable act. I am asked: “Did you feel abandoned at the time?” I tire of telling people that it doesn’t matter what I felt at the time, for my feeling at the time cannot qualify his act — he left when I was 10. The act was neither wrong nor right, couldn’t be either. It was a fact — he left when I was 10, when I grew comfortable in my own shoes, when I forged a bond with this city. He did what he thought was best, and the act was neither right nor wrong. He couldn’t have known whether it would be either, because a man, at the end of what he supposes is his life, at the time of crisis, if he is moral, does what he thinks is best.

I like to think he didn’t abandon me, but abandoned instead a memory of another land, another time, which instead was his imprisonment — the memory of his wife, my mother, our home. I like to think he abandoned his imprisonment.

I like to think he returned to the part of his self that he left behind. I like to think he returned to that memory, to live in it as if it were not yet a memory but the actual content, the substance of his reminiscing. I like to think he now lives once again in the lost city that we so hurriedly left, no longer a prisoner of its memory, but a free man; he is at the beginning of something, thinking of me (as I am of him at the moment), snuggled in a blanket, warm in the cold, his glasses patient upon the bridge of his nose, his eyes alert, his hair grey, and his forehead less creased.

He’s reading a newspaper.

He’s home.

 

The Jaunt

Best of In The Fray 2008. Life, love, and death — destinations unknown.

I dreamt of death smiling down upon me.

It is still dark when I open my eyes, and there is not a hint of dawn. There is not a hint of soft morning clamor. Not a chirrup. Not a rustle of leaves. Not a sense of place. Not a sense of time. Not a sense of life. Not a sense of anything that is anything.

There is a murmur. It is Theo, talking to his dreams of other places, other times, and other things. I become aware that I lie next to him. I seem to fall within my head. I feel the bed I lay on, the floor upon which lies the bed, the walls between which spreads the floor, the roof, the house entire, the earth, and the darkened sky. I know where I am at this very moment. Here, upon my bed, beside Theo, awake before dawn. There’s a soft chirrup, a rustle of leaves. Knowledge that dawn shall soon follow. Perhaps it is time, I say to myself, my insides beginning to curl with apprehension.

We leave home empty-handed. Bare and unburdened. Suddenly, on a whim, we leave because we think that it is time we do, though we may be entirely wrong. Theo sees I am not averse to the idea of venturing outside (at least, I am less rebellious than usual), and he does not wish to miss the opportunity, to overlook my lack of tenacity. We leave behind the home I have known for so long, known in exclusion to everything else.

There is grass everywhere, tall grass that surrounds our home from all sides and seems to extend all the way till the end of things, ends vertical and horizontal. I know the sun is somewhere up above, patient and mild, but I cannot see it. The grass hides everything.
Is this all there is to the illustrious outside — tall grass?

I follow Theo as he makes our way through it. You haven’t seen what lies beyond, he said this morning. You don’t know what it is like, yet you’re afraid. I acquiesced. I had known at dawn that I would. I plunged.

I hold his hand because the grass is tall, and I’m afraid of losing myself. And what could be more absurd, more foolish than losing oneself amidst tall grass! Or am I afraid I might lose him? That would be foolish just as well, perhaps more. I can see only the back of his head as he holds it straight and focused on the parting blades. He seems confident, sure. He has that sixth sense everyone talks about so much.

There is a road beyond, he says. This he knows from experience. You walk any which way and you’ll come upon a road, he’d say. It may not be the road you’re looking for, but there’ll be a road, right there, waiting for you, stretching along like a friendly yawn.

The blades of grass wave about as the wind tries to push through, as Theo tries to push through to the road he sees in his head. They wave slowly because they are tall. They dance, waving all the way from the bottom to the top I can barely see. I feel we’re in the midst of a slow shimmy, a ripple that slides all the way through, through the blades, through us. The blades are like solitary waves trapped in thin green frames, sinful waves condemned to heave in a windy wave-penitentiary for a minimum of one lifetime. I feel sorry for them, because I sometimes discern a similar sense of condemnation upon my own being. It’s just grass, says Theo, when I tell him about my sinking feeling, just grass.

Here it is, he says, his hand pushing aside the waves. I see the road that stretches out, a narrowing line reducing itself to an imperceptible point, far beyond the back of his head. It is long, straight, and looks difficult. I cannot see the end of it.

We seem to be at the edge of the windy wave-penitentiary — ill-fated, ill-prepared prisoners who dwell upon their options before diving into an escape. I’m scared. The delinquent waves seem comforting, like long caring arms of dying grandmothers, and I don’t want to leave them, for once the road begins, they shall fall behind. I want to turn back and head home. I almost turn to run, but Theo holds me by the waist. The strength of his grip, the warmth of his hands overwhelms me. He wants to be reassuring; I can feel the ferocity of his emotion pulsing through his palms, bursting into my waist, spilling into my stomach.

I seem to stop, though I haven’t moved. My contemplation seems to stop. It’s the death of the very thought, the very notion, of turning back, not out of faith, but out of fear, confusion. All I have known is reassurance. But now it seems to be a rather demanding word, with high character, impossible standards. His emotion seems to fade before it can find a place within my heart, before it can be called reassurance. Perhaps I haven’t known it at all. Come, he says. I follow, because I do not know what else to do. I follow, kissing the waves goodbye.

We have been walking for days, and I believe the road shan’t redeem itself. This isn’t a picnic, I tell Theo. This isn’t fun. This isn’t anything at all except latent footprints on a black line of a road in the emptiest painting there ever was. And where shall this lead? This isn’t fun, I say again. It wasn’t supposed to be, he says. It’s just different that’s all, something new, something that must be done.

I do not know what carries me forward, what pushes me or what pulls me, but I do move, with the back of Theo’s head bobbing in front of me. We seem to be in the middle of the road, walking forward, away from the middle. Yet, if I turn around, I feel like we’re walking backward, away from the middle. Away from the middle; forward or backward, it makes no difference. God sets his sun.

One morning, we come upon a dust path that leaves the road, and curls away as if to meet another secret dawn. We have grown old on this road, Theo and I, grown faster than we’ve ever grown. The path is charming, and we follow it as if willing ourselves to turn young again. The path is lined with healthy trees, bursting with purple flowers. They shield us from the sky, letting in only a bit of sun, forced to peep through bunches of leaves and petals, losing strength before it can touch us, drown us in yellow. There is something about the path, and so Theo and I walk on though we still don’t know where we’re headed. This is going to take us away, he says, sighing as if finally blessed with a wish of a hundred years. Where to? I ask. Where have we been going all this while? I wish you’d tell me things. Away, he whispers, as if away were a place, a place with a path leading to it, a place with people and lives and history. Away, he says again. I look up at the sky.

At the end of the path, at dusk, we come upon a silent river. It is silver and wide — we cannot see the other bank. The water is calm, quiet — a stolid warrior looking upon us with poise. It seems to mock us with all its composure, and I’m not sure I take too well to its disdain.

What now? I ask Theo warily, for these days are his, this jaunt is his. It is he who has chosen to show me what he wants me to see. We look for a boat, he says, treading upon the pebbles that make the bank. He is careful not to upset the smooth, round stones too much, and his caution unnerves me a little. He looks upon the river, his brows furrowed, as if questioning its depth, its integrity.

We must cross the river, he says, it is the only way. It is the only way. I follow him as he makes his way down the bank, looking for a boat, though I’m not really helping at all. I gather pebbles and put them in my pocket, trying not to look at Theo, for I know if I look at him, I shall only doubt him. To trust him, I must not look at him at all. I must pretend he is a voice.

With the delicacy of a falling snowflake, night descends upon us as the boat makes its slow way across the river. Theo has the oars, one in each hand. I sit across him, staring away into the night. The black is thick; I feel I should be able to caress it with my fingertips, but I do not try for I can feel Theo’s eyes on me. The oars kiss the water repeatedly, upsetting the silver surface. We seem to invade the river, upset the staid warrior’s night of peace. Each slap seems to cut through the silence, killing a bit of it each time; bits of silence gone for good.

I feel as though I have surrendered myself to Theo. The entire exercise begins to seem futile. I feel cheated into Theo’s quest. Perhaps he does not have anything to show me, but himself. Perhaps there is nothing to be shown at all, nothing to be seen or believed in, except him. Perhaps this is all there is — Theo and I.

As the fog begins to rise, I drift into sleep. This is the first time I have slept since I dreamt of death, and I know that I shall dream of him again, him alive and looking into my window. He is cheerful, though, and quite young himself. He asks me not to worry at all, and that he is there. What are you here for? I ask. I am here for you, he says. As he turns away, I see that he is life too.

When I open my eyes, it is still dark. The fog has lifted. The soft stars shimmer through.
Theo sits upright at his end, but his head has fallen forward and his hands hang from the side of the boat, fingertips kissing the surface of the water. He could be asleep, but I know that he is not. He is dead.

The oars float beside the boat, one on either side. I lean forward and grab them. Holding one firmly in each hand, I begin to row, heading for someplace Theo wanted me to see.

A note from the author

I have tried to exhibit the suffering caused by miscommunication within the mechanics of a relationship. The protagonists of the story depart on individual quests, though superficially it may appear to be a common one. Regardless of sexual orientation, I believe a man or a woman needs to find his or her “place,” so to say. There is no singular, underlying theme or philosophy underlying the story, and the deliberate vagueness will, I hope, allow the reader to interpret it in a manner personal to her or him. — Ashish Mehta