Nobel laureate Ayatollah al-Sistani

“As we approach the season of the Nobel Peace Prize, I would like to nominate the spiritual leader of Iraq’s Shiites, Grand Ayatollah Ali al-Sistani, for this year’s medal. I’m serious,” claims The New York Times’ columnist  Thomas L. Friedman, writing about the accomplishments of Grand Ayatollah Ali al-Sistani, the most prominent Shiite cleric in Iraq.

Friedman cites three main reasons that al-Sistani has contributed to the democratization of Iraq and, more broadly, the Middle East: al-Sistani has advocated a political strategy and vision of Iraq that has centered on positively and proactively focusing on the lives of Iraqis without resorting to defaming other movements or individuals; he has encouraged Iraqi voters, and not elite or self-appointed clerics, to have the commanding voice in post-occupation in Iraq; most importantly, in Friedman’s view, al-Sistani supports an understanding of Islam that is amenable to democracy. As Friedman characterizes it, in al-Sistani’s view, politics may be infused with Islamic values, but clerics will not be the dominant political force.

Ayatollah Ali al-Sistani’s most recent and most visible political role in reforming Iraq from beneath the rubble was to encourage his Shia followers to vote in the January 30th elections, whereas some Sunni organizations demanded that potential voters boycott the elections. Voter turnout was a staggeringly low 2 percent in some predominantly Sunni areas, as voters boycotted the elections or were intimated away from the voting booths by rampant violence.

Mimi Hanaoka

 

Seeking an escape route

Mythical stories of young soldiers disappearing across the border into Canada, in search of freedom from conscription, are the relics of the Vietnam era — or are they?  As The New York Times reported yesterday, a small group of currently enlisted men and women are seeking conscientious objector status, or seeking refuge across the United States’ northern border.  The difference for this generation of soldiers, however, is one of choice; all currently enlisted United States military are volunteers.

The Peace Out website, created by a group of veterans who successfully obtained conscientious objector status, received more than 3,000 hits its first day. No doubt, these numbers are due in part to conflicted sentiment over current armed combat in Iraq, but rather than see them merely as a reflection of as this, the Times article prompts us to question the stark differences between our military’s recruiting campaign, and the realities of life under fire. Soldiers recruited in peacetime,
and lured with the promises of steady employment and college education, did not expect to find themselves in combat in a country nine time zones away.

“It wasn’t what I thought it would be,” Private Hughey said. He said he enlisted at 17 from his home in San Angelo, Texas, because a recruiter promised that the military would buy him the education his father could not afford. He said he had tried to push aside little doubts he had, even back in basic training, but realized as his unit prepared to leave Fort Hood, Texas, for Iraq last March that he could not go.”

Current gossip mongering about the possibility of reinstating the draft obscures the embarrassing need to question the armed forces’ demographics. For our generation of soldiers, volunteering has grown scarily similar to conscription.

Laura Louison

 

Rev-ed up

It seems to me that the Western world, particularly in regard to areas that have any sense of authority, are only open to degree-educated people. I have been pondering the Church in my role as a pastor and I have come to the conclusion that the Church, as a global entity, is set up to cater, mostly, for middle-class, university-educated, people who respond to a lecture format of information dissemination and who also engage with ideas and concepts.

A key part of my calling is pastoral care. I, particularly, have a concern for those people who find themselves on the edge of the church. I meet weekly with a man suffering from bipolar disorder. It is not glamorous, cutting-edge ministry that will get me a cover shot on Christianity Today, but I feel, nonetheless, that it is worthwhile. I also meet with a schizophrenic man, and my wife and I are assisting a single mother in need at this time.

I share these things not to boast but in order to raise some thoughts. Of course, I do much more than this in my ministry, but these tasks for me are equally, if not more, valuable than my teaching role.

As I pondered this I began to think about how accessible politics is for the lower-class, lower-income person or for the mentally ill or the socially disadvantaged. Even websites such as this attract upper middle-class, university-educated people. I am not wanting to trigger a Monty Python-esque battle for the worst upbringing, and I am not at all minimizing the value of websites such as this, but what I want to raise is whether we, as socially concerned, politically active, spiritually aware, intelligent people, are creating structures that encourage the participation of those who fall through the cracks of society.

My contribution to this, in practical terms, is a drop in the ocean, but I am learning that I can only do what I can do. What are you doing? What more can I do? The political system in the U.S.A. is heavily loaded towards a wealthy minority who can afford to get involved. I want to assert that there is a place for grass-roots movements. I know that they are around. I would like to encourage anyone who is involved in political, social or spiritual engagement with people on the fringes of society to respond to this post or to email me. I would like to build a profile of positive contributions to society both in the U.S. and elsewhere.

What I have done here is to throw out some thoughts. This is not a comprehensive answer by any means but it is a beginning of sorts.  Will you join me in the journey?

Regards,
Rev. Les

—Les Chatwin

 

Reaching for equality through marriage

Dean E. Murphy reports today in the International Herald Tribune that Judge Richard Kramer has ruled in favor of same-sex marriage in response to a lawsuit filed by the city of San Francisco against the state of California. The current restrictions against same-sex marriage are based upon Proposition 22, which was approved in 2000 by California voters, and a law enacted by the Legislature in 1977. Kramer wrote,

“The idea that marriage-like rights without marriage is adequate smacks of a concept long rejected by the courts: separate but equal.

The state’s protracted denial of equal protection cannot be justified simply because such constitutional violation has become traditional.”   

Many of the arguments opposing same-sex marriage could be compared with those “once made against mixed-race marriages or racially integrated schools,” Kramer noted.

“The denial of marriage to same-sex couples appears impermissibly arbitrary,” he stated yesterday.

As Kramer must still meet with several parties to the litigation, the ruling will not become final until March 30.

—Michaele Shapiro

 

Quote of note

“Same-sex marriage cannot be prohibited solely because California has always done so before.”

— San Francisco Superior Court Judge Richard Kramer, writing today to explain his ruling, in which he declared that California’s current state ban on same-sex marriages violates citizens’ constitutional right to equal treatment. Kramer previously ruled in support of the same-sex couples when they, along with the city of San Francisco, sought legal recourse in March of 2004 after the Supreme Court annulled approximately 4,000 same-sex marriages that had taken place in San Francisco on the basis that the city had illegitimately allowed the marriages to take place despite the state’s ban on the practice.  

Mimi Hanaoka

 

Luring the female jihadists

Behind every great man stands a woman, and behind every militant jihadist stands an equally devoted jihadist woman. Or so says al-Qaeda.  

The Search for International Terrorist Entities Institute, or SITE Institute — an American non-profit terrorist-monitoring group that scours, among other things, militant Islamist websites — reports on a rising target demographic for militant Islamist websites: women.

In a passage purportedly written by the former and late al-Qaeda leader Yusuf al-Ayiri, the site proclaims:

“The reason we address women in these pages is our observation that when a woman is convinced of something, no one will spur a man to fulfill it like she will… The saying ‘Behind every great man stands a woman’ was true for Muslim women at these times, for behind every great Mujahid stood a woman.”

Targeting women for jihad is certainly not a new thing; eager to capitalize on an expanding Internet audience, Al-Khansa, a new jihadist online magazine directed exclusively at women, incites women to participate in jihad. What this recent jihadist message does demonstrate, though, is the ferocity of the media wars being waged for the hearts and minds of Muslims. While the al-Qaeda recruiting video tapes have tended to target men, this attests to an increasingly visible move to envelop women within the fold of militant jihad, even be it, in this case, as some sort of a support mechanism (woman are, according to this website, not supposed participate in physical combat). This, apparently, is gender equality’s new and militant face.  

Mimi Hanaoka

 

A.S. Byatt through the looking glass

For those of us who went to hear A.S. Byatt speak at UCLA, tonight will remain an evening to remember. She was interviewed by Santa Monica’s own Michael Silverblatt, the admirable host of KCRW’s literary talk-show “Bookworm.”

As the evening progressed, Silverblatt commented he feels at times that he is “living in a culture where people are angry at the literary.”

Byatt agreed. She remarked that she comes from a working-class family, whose members took turns reciting Keats at the dinner table. Literature meant everything to them; it was an activity of choice and engagement. Such anger surprises her, she said, because literature is one of the few things in life which belongs to everyone, regardless of social or economic class.

Byatt also finds it strange that some readers argue her use of references to classic works of literature is threatening, not inspiring. Others charge her with “showing off” her remarkable knowledge of literature, an idea which, it turns out, is unsurprisingly foreign to Byatt, who taught at University College in London before turning to writing full-time. “I always get excited about learning something new,” she said. Such inclusions of fragments of other works shed light on the stories she tells, creating revelations, and possibly inspiring readers unfamiliar with her references to seek out their sources.

—Michaele Shapiro

 

Democracy, Middle East-style

A search for footage to promote Afghanistan’s election.

Two women inspect the merchandise in a Kabul street bazaar.

From the air, Afghanistan is a more rugged version of the moon. Approaching Kabul, our plane flies low over the surrounding mountains as we prepare to land. With the city center out of view, Kabul looks like the desiccated remnants of an ancient civilization. Only a few small patches of green glimmer in the haze — everything else is the color of dust.

It is my debut as a government agent. Two weeks before Afghanistan’s first-ever presidential elections, I am part of a State Department team helping shape global public opinion of the elections — and, by implication, improving America’s poor overseas reputation.  It might be more appropriate to describe us as a few opportunistic freelance TV workers dabbling in propaganda. We have been hired by the U.S. government to produce video footage of the elections, footage that will be freely available to any television station that wants to use it. And although we will be operating independently, it is understood, of course, that we aren’t here to look for bad news.

Everyone knows Hamid Karzai, the American backed interim president, is going to win the election. The only questions are by how much, and whether or not Afghans — and the world —will believe the results. Our job is to make sure that, whatever the slant of the international media coverage, someone will be covering the good news in Afghanistan — if there is any. I wonder, though — as a hyper-liberal, anti-Bush zealot, do I really want to help put a good spin on United States foreign policy? On the other hand, we’re not exactly here to create a White House-sanctioned fantasy world a la Wag the Dog, either. So let’s call it “public relations” instead of propaganda. Or maybe “propaganda lite.”

Looking for trouble — and good camera angles

My friend Mathieu told me about the job a few months ago. He needed someone to come to Kabul with him and his colleague Siri, to be an audio tech during the day and a video editor at night. I had worked with them both before, and trusted them. Siri had been to Afghanistan several times in the last two years, and knew her way around the country.

I thought about it for a couple days. Things in Afghanistan looked less than promising. The U.N. Staff Union was lobbying to have U.N. employees pulled out of Afghanistan, and Doctors Without Borders, an non-governmental organization with a reputation for fearlessness, had pulled out altogether after 24 years in the country.

But how often do you get the chance to visit Afghanistan? I called Mathieu to tell him I would come. Second thoughts immediately followed when he asked for my hat and chest size to buy me a helmet and vest of body armor.

Once we land in Kabul, my doubts only grow.

At the airport we are met by Farid and Qais. Farid is our translator and guide, an earnest man in his early thirties. Qais is our driver, a snappy dresser with a mustache poised on his broad, slightly plump face. His minivan is bedecked with sunroofs, a metallic grey paint job, and the words “SUPER EXTRA” emblazoned on the sliding door. We pile in with our equipment, and Qais sends the Super Extra through Kabul’s chaotic traffic with a carefree recklessness bordering on glee.

I had imagined our security would be tight, envisioning fortified U.S. compounds as our lodging and fearsome convoys of armed humvees as escorts. In reality, the U.S.embassy hardly seems to know that we’re here, and our freewheeling Super Extra is apparently all the convoy we’re going to get. I tell myself incognito is better.

Qais and Farid drop us off at a modest Kabul guesthouse, run by an affable Australian chef. The outside is a drab wall with a metal door, but the inside is surprisingly pleasant. There is a central garden with a shady arbor where the other inhabitants — two dozen development workers and U.N. contractors — lounge in the evenings, drinking and playing ping-pong. After dumping our gear in our rooms, and setting up our editing computer, we sit on the patio and drink beers. There is a rumbling in the sky. We crane our heads. Two U.S. helicopters circle over the city, bristling with guns and rockets, rattling our windows.

Kabul is congested and dusty. Its recent history is evident in the sagging skeleton of a ravaged building or a wall pockmarked with the splash of a shell burst. But the etchings of violence are mainly just the backdrop for everyday bustle. Streams of men form a parade of flowing vests and tight cylindrical caps or flat pakol hats, which perch on the back of the head like a felt pancake. The flood of beige and brown is punctuated by an occasional Western suit, or by dark green camouflage jackets thrown over traditional clothing. Women in the streets wear conservative headscarves and long skirts with quietly defiant high heels and fishnet hose. There are also the almost genderless figures of women in flowing, sky-blue burqas, looking out through the embroidered face screen of a garment that, for an object so symbolic to us of sexual repression, is surprisingly beautiful.

Our job is to record life in Kabul and digest it into video clips for mass distribution, hopefully in a way that shows the current situation in a positive light. But these decisions aren’t up to me. I’m making absolutely no decisions about where we go and what we cover. My role is to tag along and get audio, leaving the thinking to Siri. She has been talking to the U.S. embassy in Kabul ever since we landed, and they aren’t offering her much guidance. Mostly, our movements are based on her gut feelings of what our employers will consider appropriate and — above all — what will make good television.

At the top of any cameraman’s list this week are the walls plastered with election materials. U.N. posters cheerily depict how an election is supposed to work. One shows a man and a woman, both smiling broadly, in traditional dress. A giant speech bubble hovers over them displaying the address of the nearest polling station.

There are also campaign advertisements from all 18 presidential hopefuls. Multiple posters for each candidate display the contender in varied poses of purposeful concentration. In vying for the passerby’s attention, however, a common image hovers in the background of many of the flyers: a man’s lined face, framed with a goatee, a shock of gray hair and a pakol hat. It is Massoud, the former head of the Northern Alliance, who was assassinated on September 9, 2001. His exploits are legendary: he defied more than hald a dozen Soviet assaults on his native Panjshir Valley, and later became the linchpin of anti-Taliban resistance. Now, with the fall of the Taliban, it seems Massoud is Afghanistan’s George Washington. And his sad-eyed ghost is everyone’s running mate.

Above the hubbub of modern Kabul, gutted buildings linger as stark reminders of the civil war of the 1990s.

Democracy school

On the outskirts of Kabul, we visit a voter education class at a local high school. (Fresh-faced youth learning about democracy equals good video.) The classroom is packed with young men, few of whom look over 18, which is the Afghan voting age. The teacher explains that the boys are given the class in the hope that they will pass the information on to their families. We tape the teacher gesturing to a set of U.N. posters that illustrate parts of the election process — voter verification, the secret ballot, collection and counting of votes. The teenagers’ concentration is intense. Do American high school civics class ever look like this? Perhaps the presence of a news crew has a focusing effect, but their attention seems genuine.

Siri interviews the teacher. In broken English, he tells us it isn’t always easy to get across the idea of how an election works. “Of course, we think it’s difficult for them,” he says. “But we are explaining more.

He continues: “In the past government, has any president asked you, ‘Can I be your representative, your president?’ They say, ‘No.’ So it is the election, that they are asking, ‘Can you give your vote to me? Can I be your president?’ This is democracy!”

My skepticism weakens. It is one thing to sit home in front of the newspaper and make knowing comments about power politics. How legitimate is “democracy” when it is imposed by an invading superpower, and when a country’s human development and rule of law remain in ruins? Those sentiments fade, however, when confronted with the straight-faced optimism of a classroom like this. Clearly, this is what we were paid to find, with the idea that our footage will have the same effect on viewers.

One dawn, Mathieu, Farid and I decide to hike up to the old city wall for a panoramic view. Mathieu has the constant, almost visceral craving for high, unobstructed wide shots that is common among good cameramen. To get to the crumbling ruin, we walk through a shantytown of mud brick houses. Several boys run out to accompany us. We climb on top of the wall, which runs precipitously down the side of the mountainous ridge that divides the city into two lobes. The boys tell us we shouldn’t go any farther, as there is a guard who haunts the other side of the hill, and he will be tempted to shoot at us if we continue. We are happy to stay put on the wall. From here, we can see Kabul stretching into the distance, a high flat plain ringed by bare mountains. Clouds of smog and dust rise towards the harsh morning sun.

In the town of Nasri, voters wait outside a mosque. An election worker checks registration cards at the door.

Fallout

Siri decides we should go to Bamiyan, the site of a pair of giant Buddha statues that were destroyed by the Taliban in 2001. There is a Provincial Reconstruction Team (PRT) there, a small military base run by the New Zealand army. It is an irresistible opportunity to make a favorable contrast between the multinational forces and the Taliban.

Bamiyan is perhaps a hundred miles away, but it takes us twelve hours by van to negotiate the bumps and potholes of Afghanistan’s country roads. Between Kabul and Bamiyan, the landscape morphs. We rise through high, mountainous desert, almost totally devoid of vegetation, with giant toothy peaks looming in the distance. We pass drought-stricken villages with plowed fields of dust. Other villages are labyrinths of mud brick walls razed halfway to the ground. We spot an occasional Soviet tank lying destroyed beside the road, a vestige of the 1980s. Sometimes their cannon barrels are burnished and shining from years of being climbed by local children, or their sides are stenciled with advertisements (“Afghan tourism organization — Bamiyan Hotel”). Tank treads turn up as speed bumps on village roads. Spent shells appear as eaves holding up roofs, or as the edges of packed-earth porches.

We drive past healthier-looking villages of square adobe houses, puzzle-like assemblies of clay cubes nestled at the bottom of ridges. Children steer herds of goat and sheep, waving as we drive by. It is impossible to tell how old the houses are. Everything is made of baked, dust-covered earth. A ruined village: Was it left many decades ago to fall into disrepair? Or was it reduced to rubble in the civil war of the 1990s?

Thick clouds of powdery dust rise around us everywhere as we drive, entering the less-than-hermetically-sealed Super Extra. Soon all of us and our gear are the same color as the landscape. We wrap bandanas around our faces and Mathieu wraps a scarf around his video camera, the source of his livelihood, and clutches it to himself. “It’s alright, baby,” he croons. “It’ll be over soon.”
We reach the hotel in Bamiyan after dark, and in the morning we awake to the most inviting place we have seen in Afghanistan so far. The valley is a lively patchwork of green and earthy fields flanked by soaring rocky cliffs. The cliffs bear scores of little alcoves, carved by Buddhist monks fifteen hundred years ago. This rocky honeycomb houses three giant alcoves, the larger two of which once hosted Bamiyan’s famed Buddhas.

The Taliban achieved a special level of notoriety when they destroyed Bamiyan’s two giant Buddhas in early 2001. Perhaps more serious than the destruction of those ancient statues, though, were the attacks on the local people. In the ethnically Hazara region around Bamiyan, the rule of the Taliban, who are ethnic Pashtuns, was especially harsh. To tighten control over the region, they massacred locals and destroyed their communities.

Looming over one end of the valley are the ancient ruins of the hill fortress Gholghola — a labyrinthine citadel that eerily suggests Bosch’s image of the tower of Babel. In the 13th century, Genghis Khan laid siege to this fortress city as he took control of the valley. The death in combat of one of his grandsons made him even more brutal than usual, and when the city fell he slaughtered all its residents and laid waste to the surrounding valley. Only in Afghanistan, perhaps, do such tales not seem dusty and ancient. They live on in their modern versions: Russian gunships obliterating entire villages, Taliban massacres, giant statues falling from their ancient places in the cliffs — and, although I can’t tell which craters are which, U.S. bombs also figure in the litany of destruction.  Genghis Khan’s wrath was just a signpost on a bleak road that still stretches on.

Now that both Khan and the Taliban are gone, however, life is returning to Bamiyan.  Farid, who knows the town from earlier times, notices renewed life and activity. The central bazaar, a dirt road lined with two rows of trees, has doubled in size over the last year. It is now the bustling center of town, with a quorum of enthusiastic rug and trinket sellers that recalls the days, several decades past, when Afghanistan hosted more tourists than journalists. The story is perhaps not so rosy in other parts of the country, though, where the collapse of the Taliban’s strong central rule may have been politically liberating, but has also created an atmosphere of lawlessness that does little to help the common people. But lawlessness is not our beat, which is why we are in a place like Bamiyan.

Dragon slaying

Even in Bamiyan, times of relative peace have a military undercurrent. On a hill just opposite Gholghola is a New Zealand military base. We spend some time following a patrol, the Super Extra falling in line with the convoy. After recording a good amount of friendly-soldiers-interact-with-peaceful-locals footage, the Kiwis take us to the Valley of the Dragon for some heavily armed sightseeing.

According to local legend, the valley is named for a dragon that used to terrorize the villagers. A prince, with a single blow of his sword, hewed the beast into two rocky halves separated by a narrow fissure. The valley is a wide, forbidding gorge of Martian rock and dust. At the end, the ground rises steeply to close off the basin with a high, rocky ridge — the dragon’s carcass. To climb the precipice, we abandon our overheating Super Extra for military pickups, bumping and jolting as we ascend the dragon’s side. At the top, the soldiers kindly set up a perimeter to guard our sightseeing. On our right lies the gigantic, empty expanse of the valley. On the left, the ridge descends gradually to a bleak stretch of desert peppered with two shepherds and a dozen motley sheep.

On the road back to Kabul, we come across a village road crowded with people eagerly awaiting a campaign visit from Mohaqiq, one of the major presidential candidates. In a few minutes, as if on cue, the crowd starts to clap. At the bottom of the hill appears a green sport-utility vehicle with the candidate standing in the sunroof. The SUV creeps forward, a handful of machine-gun bearing guards surrounding it. The crowd mobs the truck. A man in sunglasses is screaming slogans into a microphone. Mathieu and I fight our way back and forth to get different shots.

Mohaqiq eventually dismounts from his SUV and makes his way over the side of the road towards a field where his fans will convene. When we reach the edge of the road, I see the rocks are spattered with blood. A sacrificed sheep, still kicking, lies at an old man’s feet, opened at the throat, glistening red in the sun. The man, wizened and toothy, salutes the camera, smiling as he raises his palms skyward, the knife dripping, his hands covered with blood.

After voting, two burqa-clad women return to their village.

Day of anticipation

Back in Kabul, Election Day dawns with a strange, yellow sky. There has been a dust storm during the night, and the sun is invisible behind an ochre haze. Wisps of sand swirl across the city’s eerily deserted streets. Finally the moment is here, when all hell is supposed to break lose, vindicating the months of media hype.

We drive north to visit polling places in the countryside. Next to a low-slung adobe mosque in the village of Nasri, crowds of men mill around and talk. There are no women — voting is segregated, and Nasri’s women are casting their ballots at a polling station up the road.  Two Afghan policemen sit on chairs in a field to the side, AK-47s resting across their laps. Snaking into the green-framed doorway is a line of men. At the entrance, a local man with a blue polyester U.N. vest checks registration cards and thumbs. Each voter gets his registration card punched and his thumb painted with indelible ink, which ensures that only one vote will be cast per person. We later learn this system has been bungled in some parts of the country, leading to charges of fraud.

The hush inside the mosque brings a sacred air to an otherwise secular ritual. Yellow plastic tape divides the room into two voting sections. After checking in at one table (and getting his thumb painted), each man goes to another table to get his ballot — a long, green sheet of paper. The photograph of each of the 18 candidates appears next to each name, accommodating the 70-odd percent of Afghans who are illiterate.

The men working the polling station have put on the slightly huffy air of the petty bureaucrat, but otherwise are indistinguishable from the townspeople casting their votes. At the ballot table, one man in a white Afghan cap dutifully folds each ballot and marks it with an official stamp before handing it to the voter, explaining with an upraised finger that they must remember to fold it up again before emerging from the curtained voting booth. After ducking under the curtain for a short while, each man emerges and tucks his ballot into a large plastic bin, which is guarded by another election worker. Through the clear plastic, we can see it slowly filling up with ballots.

Up the road, Siri is allowed into a women’s polling station with a small camcorder. The women all arrive draped in burqas, but inside the polling station, they throw them back like shawls as they shuttle from the check-in table to the booths to the ballot box. The polling station supervisor, a woman called Najiba, interprets for Siri as she asks a pair of women what they think of their first election. “I’m happy to vote,” says one. “I hope for a peaceful country where our children can get an education.” The woman next to her adds, “We want peace and stability and a free country.”

“They are very happy,” adds Najiba in halting English, beaming. “They say, ‘We were waiting for such a day, that we can come and put [our votes] in the box.’ They look happy.”

They do look happy, and they are making our job surprisingly easy. At the other voting sites we visit — indeed, at polling stations all across the country, we later learn — the scene is peaceful, almost beatific. We ask several men for their impressions, and they reel off answers that George Bush should have monogrammed on his suit lapels:

“Elections means selecting someone who will help the country and the poor. I have made my choice from the ballot, and I hope my candidate will win.”

“It was completely confidential. Nobody checked my ballot. I voted they way I wanted to, and I’m very pleased.”

“We’re happy to have these elections after 23 years of war. We cast our ballots without being told whom to vote for, and everyone has voted according to his own choice.”

I feel like I’ve been cornered into PR heaven. Where is the bitterness? Where is the distrust? The worst we have found is a certain resignation, born from experience, that the United States and its allies may leave and allow another civil war. But under the circumstances, such a wait-and-see attitude seems remarkably hopeful, if not idealistic.

When we return to the guesthouse, we will watch BBC and CNN on satellite TV. The international media will focus initially on failures of the Afghan election system — ink that rubs off thumbs, voters with multiple registrations — before noting the miraculous: no polling places have been attacked, and turnout has been heavy, especially considering the climate of fear during the campaign.

The election seems to have been a great leap of faith on the part of the Afghans. But does it represent a turning point for their country? I wonder how much relevance a peaceful election has for a country beset by warlords and overwhelmed with poverty and illiteracy. I suppose it is naive to be optimistic.

Cruising back to Kabul, I watch from the windows of the Super Extra. As a landscape of destroyed buildings slides by, painted with the white checkmarks and red stripes of the de-mining crews, I quietly hope Afghanistan’s good news will continue.

 

Middle East Heroes

The tentacular reach and popularity of the graphic novel now extends to the Middle East with the first comic book specifically targeted for the audience in the region — AK Comics’ Middle East Heroes line of comic books, which is published in both Arabic and English, pits forces of good and evil for control of the City of All Faiths.

“We need to believe in a higher being that will be there for help, and can affect change on his own. There is a global and human need for that,” explained Marwan Nashar, managing editor at AK Comics.

The main characters — two men and two women — include Jalila, The Defender of City of All the Faiths; Aya, the Princess of Darkness; Rakan, the Lone Warrior; and Zein, the Last Pharaoh, who was spirited out of his pharonic age by a time capsule. The generous gender balance and the very literal strength of the female characters — the female Jalila has the most powerful abilities — is proving stunningly popular with women, and the comic book appears to be enjoying widespread general appeal. Al-Ahram Weekly recently ran an article about the comic with the cheerful title “My Favorite Superhero,” which quoted a 27-year-old business analyst explaining the appeal of the comic: “The setting is familiar and most characters’ names are Arabic … it’s just easier to connect.”  

The comic book seems set to enjoy even wider distribution, if not popularity; the AK Comics website gleefully notes that EgyptAir has agreed to a first-of-its-kind deal to dole out 20,000 AK Comics magazines on their flights.  

Mimi Hanaoka

 

Walking in another’s shoes

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Between work, family, friends, and significant others, most of us are forced to relate to people with whom we don’t see eye-to-eye on a daily basis. But as daily media coverage of distant places like Iraq suggests, the struggle to relate to others is also a global one, as we deal with differences both unfamiliar and surprisingly similar.

In this month’s issue of InTheFray, we examine some of these struggles to see eye-to-eye with people who can often seem to be a world apart — even when they’re just a few inches away. At home in the United States, Stacy Torian takes a look at the difficulties faced by working class academics, who can lack the resources and pedigrees of their more privileged peers, in “Breaking through the class ceiling.” Former prescription drug addict Alexis Luna, meanwhile, exposes her own struggle to get over “The joy of six milligrams” and to have healthier relationships with people — including herself.

On the subject of illness, Chip Chipman illuminates how the spirit of the legendary uniter and healer, Mother Theresa, lives on after her death. Through his vivid photographs, Chipman reveals Mother Theresa’s impact on San Francisco masseuse Mary Ann Finch, who runs a massage institute for the homeless, in “Touching the untouchables.”

Halfway around the world, two ITF contributors share their struggles to relate to others in the Middle East and Africa. Writing in a time of war, Andrew Blackwell shares the skepticism he felt while producing pro-Western video clips during Afghanistan’s first election in“Democracy, Middle East-style.”

Providing insight on the role everyday practices play in reminding us of what it means to be alive, ITF Contributing Artist Josh Arseneau shares his photographs from the Gambia.

Rounding out this month’s stories is ITF Assistant Managing Editor and Columnist Russell Cobb’s “Go ahead, make my next four years,” an insightful look at the Religious Right’s inability to transform Hollywood’s liberal ways — despite harsh criticism of Clint Eastwood’s Oscar-winning film “Million Dollar Baby.”

Coming later this month: stories celebrating women’s history. And in April, check back for an issue concerning belonging — something we all know about, for better or worse.

Laura Nathan, InTheFray Editor
Brooklyn, New York

 

Quote of note

“I am concerned that the public may start to wonder: ‘Well what is a journalist and isn’t it all kind of a scam somewhere on the payroll, some seem to work for partisan organizations’ … I fear they may question all of journalism, it’s kind of a con game and a sham and that would be unfortunate.”

Matthew Cooper, Time White House correspondent, speaking about the perception of journalists in the aftermath of the Jeff Gannon scandal.  

Bloggers recently unmasked Jeff Gannon, who had been installed in the White House as a correspondent for a media outlet, as a journalistic fraud; his real name is James Guckert, the ostensibly responsible media outlet for which he reported, Talon News, has been exposed as a Republican mouthpiece and has now been taken offline, and lurid accounts that link Guckert to pornographic websites have now surfaced.  

Bloggers began to research and subsequently expose Guckert after he asked President Bush the leading question that was too transparently partisan to evade scrutiny: “Senate Democratic leaders have painted a very bleak picture of the US economy … How are you going to work with people who seem to have divorced themselves from reality?”

Mimi Hanaoka